| titel | year | author | event |
|---|---|---|---|
Gelber Kreis |
2020 |
Hiepler, Esther
|
|
The Gathering und Performances |
2020 |
Hochuli, Gisela; Lipp, Dominik
|
PerFORM¡ Performance-Day 2020
|
In der Backstube des Denkens |
2017-2019 |
Radelfinger, Peter
|
|
perFORM¡ Performance-Festival 2021 "re:load" |
2021 |
Künzler, Astrid; Hochuli, Gisela [The Gathering]; Lipp, Dominik [The Gathering]
|
perFORM¡ Performance-Festival 2021 re:load
|
Brief an Grossmutter |
2018 |
Künzler, Astrid
|
Tanzfestival Winterthur 2019 / Kunst im Depot Performance-Day 2019
|
Epilationsperformance |
2007, 2015, 2016 |
Hansemann, Svetlana
|
100 Jahre Frauen-Power 1916-2016 (2016) Kunst im Dolder Bad (2015)
|
Artist Trading Cards - a collaborative cultural performance |
since 1997 |
m.vänçi stirnemann; et al.
|
|
33 Miniaturen |
2013 |
Künzler, Astrid
|
Kirche kreativ
|
Shift the Manifesto |
2019 |
Dillier, Monika; Ganz, Iris; Hauert, Sibylle; König, Lysann; Madörin, Fränzi; Mathis, Muda; Mildenberger, Dorothea; Müller, Sarah Elena; Naegelin, Barbara; Regn, Chris; Saemann, Andrea; Schürch, Dorothea; Zwick, Sus
|
Performancepreis Schweiz
|
LEGS Zürich Performance-Stafette |
2016 |
[Corner College]
|
Siehe Namen unter weitere Informationen
|
commedia del arte |
1992 |
Borter, Ingrid; Brun del Re, Angelo; Dietrich, Guido; Kobler, Pedro; Lenzlinger, Jörg; Linsi Eth, Roshan; Perren, Chrig; Schick, Cat; m.vänçi stirnemann; Zapata, Victoria
|
|
message salon Ankerstrasse 6 |
1996, 1997 |
Eppstein, Esther
|
|
En aimant ton chat, je passe outre ma culture. Walkie-Talkie |
2017 |
Furtwängler, Gilles
|
Form Concrete to Liquid
|
Tu vois ce que je veux dire. Talkie-Walkie |
2017 |
Marioni, Andrea
|
Form Concrete to Liquid
|
Performance |
2017 |
Lebon, Elizabeth
|
Form Concrete to Liquid
|
Performance |
2017 |
Ruffieux, Marie-Luce
|
Form Concrete to Liquid
|
Common Ground |
2019 |
Schärer, Ines Marita
|
Curraint d'Ajer Utuon
|
does it give you the shivers? |
2019 |
Obertüfer, Vera [Kollektiv Evas Eier]; Staffelbach, Angela [Kollektiv Evas Eier]; Küng, Laura [Kollektiv Evas Eier]; Nüesch, Désirée [Kollektiv Evas Eier]
|
|
message salon, Perla-Mode-Album |
2006-2013 |
Eppstein, Esther
|
|
Es hat ihn nicht gegeben, den Garten, solange ich ihn nicht gesehen habe |
2021 |
Schärer, Ines Marita
|
Imaginaziun
|
Zeitkapsel, Eingrabung von Wein im See |
04.02.2022 - 2072 |
Schicht, Martin G.
|
|
her harsh, high and deep voice: a polyphony |
2021 |
Dâmaso, Lara
|
Les Urbaines
|
my love is a flower (just beginning to bloom) |
2021 |
Dâmaso, Lara
|
Tarrential Rain
|
Das magische Theater: ein Performance Labyrinth |
2017 |
[Kabinett der Visionäre]
|
Langer Samstag 2017
|
In Cynicism There Is Hope |
2021 |
Coquart, Pauline
|
Les Urbaines
|
Numero Ventitre |
2002 |
Furlan, Massimo
|
Les Urbaines
|
Carwash |
2014 |
Tun Tun, Melissa
|
Les Urbaines
|
Wrong Day |
2019 |
Garavaglia, Gabriele
|
Les Urbaines
|
Water Walks |
2009 |
Rochat, Anne
|
Les Urbaines
|
THE ROCK BAND |
2019 |
Carvalho, Liliana; Morshed, Mariam; Hatipoğlu, Zeynep Ayşe; Ka, Sandra; Schärer, Ines Marita
|
|
Marara Kelly Art Show: the most performative gesture I can make is to believe |
2021 |
Yamada, Mayara
|
Les Urbaines
|
her harsh high and deep voice - a polyphony |
2021 |
Dâmaso, Lara
|
Les Urbaines
|
L’Homme trolley-bus |
2015 |
Marioni, Andrea
|
Les Urbaines
|
La mesure harmonique: La dislocation du soi son |
2015 |
Pillet, Guillaume
|
Les Urbaines
|
moving patterns III |
2021 |
Boss, Raffaela; Slattery, Yann
|
Les Urbaines
|
Complete Body |
2017 |
Feller, Tomislav [Contemporary Cruising]; Scheiwiller, Manuel [Contemporary Cruising]
|
ExtraBall, carte blanche Les Urbaines
|