| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
ALEPPO |
2017-04-22 |
Ipek, Füsun
|
ACT Performance Festival
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
|
Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs |
2021 |
Opoku, Kwaku
|
Diplom HGK
|
|
|
Me veo muerta |
2021 |
Funes, Luján
|
Doce en Diciembre
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
|
Please Peace |
2022 |
Lugeon, Ariane et al.
|
Revolving Histories
SIM Gallery Exhibition
|
|
|
États de la France (1644 - 1789) : La Musique: les institutions et les hommes. |
2003 |
Brossard, Yolande et al.
|
HSM-Datenbanken
|
|
|
Dictionnaire de la musique en France aux XVIIe et XVIIIe siècles |
1992 |
Benoit, Marcelle
|
HSM-Datenbanken
|
|
|
Les musiciens du roi de France (1661-1733) |
1982 |
Benoit, Marcelle
|
HSM-Datenbanken
|
|
Le défilé militaire du 1er juin 1739 |
1739 |
Parrocel, Charles
|
GrandeEcurie
|
|
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
glass piece#4 |
2016-04-23 |
Gobet, Mélanie
|
ACT Performance Festival
|
|
|
Committing to decolonial feminist practices of reuse |
2024 |
Weinmayr, Eva; Snelting, Femke
|
e-Publications
|
|
Infanterie Suisse, 1696 |
1696 |
Manesson-Mallet, Allain
|
GrandeEcurie
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
melle.mey |
2017-04-22 |
Meystre, Mélanie
|
ACT Performance Festival
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
Madeuf, Jean-François et al.
|
OpenAccessPublikationen
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
Technology – Human – Design: Paradigms of Ubiquitous Computing - Dokumentation Website |
2019 |
Torpus, Jan et al.
|
ubicombs - Technology – Human – Design: Paradigms of Ubiquitous Computing
|
|
|
Do you think wenn du schweigst c'est la même que silence |
2021 |
Meier, Nadine et al.
|
ACT Performance Festival
|
|
|
Trace Place |
2009 |
Kovacevska, Verica et al.
|
Revolving Histories
BELGRADE: NONPLACES – Art in Public Space
|
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia et al.
|
Memory Full
|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie et al.
|
Memory Full
|
|
|
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya et al.
|
Memory Full
|
|
|
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit et al.
|
Memory Full
|
|
|
Etoile |
2019 |
Wenger, Anaïs et al.
|
Revolving Histories
Project Space / CAC
|
|
Saterday Night Fever |
2021 |
Honauer, Géraldine et al.
|
Revolving Histories
it almost felt like the voice of a close friend
|
|
|
Pressedossier Yuri Vassiliev «Last Next Winter» |
2017 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
Tube (Schlauch) |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
FADO
|
|
|
e-flux Index #2 |
e-flux
|
e-Publications
|
|
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|