| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
be_happy |
2017-04-22 |
Reichenbach, Estefani B.
|
ACT Performance Festival
|
|
Myself as Outsiderartist - Bildverfahren zur Aufzeichnung von beschissenen inneren Bedingungen zur Entstehung eines schöpferischen Drangs |
2008, 2009 |
Andereggen, Ariane et al.
|
Revolving Histories
Swiss Art Awards
|
|
|
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
Revolving Histories
|
|
|
Traité de la musette, avec une nouvelle methode, Pour apprendre de soy-mesme à joüer de cet Instrument facilement, & en peu de temps |
1672 |
Borjon de Scellery (1633-1691), Pierre et al.
|
HSM-Datenbanken
|
|
|
Khi And Phue – KAP 44 Zine for Saan Sense |
2026 |
Phupha, Adisak et al.
|
e-Publications
|
|
|
Pressedossier ∑-Summe aus der Region Basels - Matthias Aeberli, Pascale Grau, Parvez Imam, Dirk Koy, Vladimir Mitrev |
2017 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
Dream of Zanzibar |
1985 |
Hahn, Alexander et al.
|
Revolving Histories
1985 International Video Festival, Locarno
|
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 |
Downey, Peter
|
OpenAccessPublikationen
|
|
|
Les Exercices de Mars, Eigentliche Abbildung und Beschreibung des Soldaten Lebens nach der neuesten französischen Kriegs-Manier |
1700 |
Léopold, Joseph-Frédédic
|
HSM-Datenbanken
|
|
Blind Date |
2017-04-22 |
Galovic, Gloria et al.
|
ACT Performance Festival
|
|
HannahGloria |
2016-04-23 |
Galovic, Gloria
|
ACT Performance Festival
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Corona Concert |
2020-04-24, 19:00 |
Kessler, Gabriel
|
ACT Performance Festival
|
|
|
Iytëmen Bety (The Invisible Plant) |
2025-12 |
Quinchoa Juajibioy, Ayenan
|
Plant_Intelligence
|
|
|
Sacrum Monarchiae Speculum, Der Sacre Ludwigs XV. 1722: Monarchische Tradition, Zeremoniell, Liturgie |
2007 |
Schmid, Josef
|
HSM-Datenbanken
|
|
my other selves |
2017 |
Lock, Lisa K.
|
Summe2017
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
2017-04-29 |
Sabo, Rim
|
ACT Performance Festival
|
|
|
|
GAMA Vocabulary |
2010 |
GAMA, Consortium
|
Werke
|
|
|
The Devil's Breath |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Karwan |
Trabelsi, Naïma Alissa
|
Next Generation
|
|
|
Gaffurius Codices Online |
2019 |
Pavanello, Agnese et al.
|
HSM-Datenbanken
|
|
2017-04-22 |
Franco, Lorysmar
|
ACT Performance Festival
|
|
|
2017-04-22 |
Kyriakatos, Alexandros
|
ACT Performance Festival
|
|
|
Visual Smell Wheel: Scents of the Amazonian Chemospace |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Circus of the Soul |
2021 |
Nilo, Dawn et al.
|
Revolving Histories
For the exhibition: Dawn Nilo: Blueprints
|
|
|
CC_Cycles of Circulation SUBPROJECTS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
Radical Mobility. Fahrzeugkonzept für die schwedische Marke CAKE |
2021 |
Blain, Marc Nathanael
|
Diplom HGK
|
|
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Keynote 3: Jussi Parikka, Winchester School of Art |
Sept 3, 2021 |
Parikka, Jussi et al.
|
Memory Full
|
|
myFunerals #1-3 |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
Masterclass 2013
|
|
|
Aroma Colorado |
2025-08 |
Mensch, Julia et al.
|
Plant_Intelligence
|
|
|
Keyboard Accompaniment in Italy around 1600 Intabulations, Scores and Basso Continuo |
2022 |
Campagne, Augusta; Rotem, Elam
|
HSM-Datenbanken
|
|
|
the 3rd cameraman |
2017 |
Ranger, Dsu
|
Summe2017
|
|
|
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
OpenAccessPublikationen
|