| titel | year | author | event |
|---|---|---|---|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
|
Wunschkonzert |
1991 |
Gawrysiak, Gabrielle; Herzmann, Ruth
|
BBI
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Please Peace |
2022 |
Lugeon, Ariane; Hornbuckle, Dove; Hsieh, Pei-Wen; Kapeljuh, Kristina
|
SIM Gallery Exhibition
|
inside Elisabeth |
2020-04-17 | ||
Infanterie Suisse, 1696 |
1696 | ||
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
Madeuf, Jean-François; Conforzi, Igino; Zimmermann, Julian; Tarr, Philipp
|
|
melle.mey |
2017-04-22 |
Meystre, Mélanie
|
|
Web Recording Motet Cycles Website |
2018 | ||
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie; Tonini, Rahel; Steiner, Nadja
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna; Bürki, Anna Chiara; Hugentobler, Karin
|
|
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya; Krug, Lena
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick; Salgado, Micaela; Köfer, Soraya
|
|
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit; Mumenthaler, Harumi
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia; Wüst, Jana
|
|
glass piece#4 |
2016-04-23 |
Gobet, Mélanie
|
|
Trace Place |
2009 |
Kovacevska, Verica
|
BELGRADE: NONPLACES – Art in Public Space
|
Le défilé militaire du 1er juin 1739 |
1739 | ||
Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs |
2021 | ||
Tube (Schlauch) |
2012 |
Bucher, Claudia
|
FADO
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Do you think wenn du schweigst c'est la même que silence |
2021 |
Meier, Nadine; Placathose, Debora
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
|
Trompette marine, ~1700 |
1675-1725 | ||
Saterday Night Fever |
2021 |
Honauer, Géraldine
|
it almost felt like the voice of a close friend
|
Etoile |
2019 |
Wenger, Anaïs; Mizuno, Sayaka
|
Project Space / CAC
|
AbstractNonsense |
2008 | ||
Les Exercices de Mars, Eigentliche Abbildung und Beschreibung des Soldaten Lebens nach der neuesten französischen Kriegs-Manier |
1700 | ||
Together Elsewhere 08: Lizlot Frydenlund und Karyna Herrera |
25.03.2022 |
Frydenlund, Lizlot; Herrera, Karyna
|
|
Plants Intelligence: Web-Recording |
2022 – 2025 | ||
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea; Regn, Chris
|
10th Land Art Festival/ Off Land Festival
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea; Regn, Chris
|
10th Land Art Festival/ Off Land Festival
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
|
Responding |
03.11.2018 | ||
e-flux Index #2 |
e-flux
|