| titel | year | author | event |
|---|---|---|---|
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 | ||
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
Library, A Network of Relations |
|||
Towards a decolonial feminist politics of reuse |
2024 | ||
Teaching the Radical Catalogue – a Syllabus |
|||
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 | ||
Library Making as Practice |
2025 | ||
Practices of transformative publishing |
2024-11 | ||
More verb, less noun – Publishing as collective practice |
2019 | ||
Library Underground – A reading list for a coming community |
2016 | ||
Noun to Verb: Publication as Process |
|||
The Power to Name and Frame |
2025 | ||
Rewriting FAIRness |
2024 | ||
Ecologies of dissemination |
2023-10 | ||
First times do not exist. Translating and citing as relational practices of (re)use |
2023-10 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
Library of Inclusions and Omissions |
2016 | ||
Paper Struggles |
|||
Gravity ein Fotobuch von Nara Pfister |
2023 | ||
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
Revisit Reuse |
2024 | ||
Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) |
2020 | ||
Publishing strategies: From “independent” to “intersectional” |
2023 | ||
Library Making as Practice |
2025 | ||
Teaching the radical - a syllabus |
2024 | ||
Conversation with Séverine Dussollier: Subverting the narrative of property |
2025 | ||
One publishes to find comrades |
2021 | ||
Who gets in? Rethinking Admission – Confronting Segregation |
2022 | ||
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 | ||
Luege & Zeichne. Watch & Draw |
2023 | ||
Encontrar Palabras. Finding words Ein Projekt von Nicole Boillat mit der Autorin Sofía Biondi realisiert in Buenos Aires |
2022 | ||
M004 Hortus conclusus |
|||
M001 Beata progenies |
|||
M006 Tota pulchra es |
|||
C02 Beata progenies |