| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
03: Grammatik Phänomen – Animationseffekt |
2020 |
von Arx, Peter; Manz, Reinhard
|
Film + Design
|
|
|
Partition de Plusieurs Marches et batteries de tambour tant françoises qu'Étrangeres |
1705 |
Philidor [l'aîné] (~1652 - 1730), André
|
HSM-Datenbanken
|
|
Smuc.kitchen Synthetic Pantry Content Data |
2021-09-01 |
Bedö, Viktor; SMUC
|
SMUC
|
|
|
Die Trompete |
1977 |
Tarr, Edward
|
HSM-Datenbanken
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
Two Clubs (2022): Eine Schlagperformance für zwei Schläger und einen Menschen. |
2022 |
Studer, Christoph et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Besuch beim Werkzeugmacher und Schmied Niels, in der Schlosserei und Schmiede Andreas Glaser in Binningen |
2022 |
Werkzeugmacher et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Les Travaux de Mars, ou l'Art de la guerre |
1696 |
Manesson-Mallet (1630-1706), Allain
|
HSM-Datenbanken
|
|
|
L'École de Mars, ou Mémoires instructifs sur toutes les parties qui composent le corps militaire en France |
1725 |
Guignard, De
|
HSM-Datenbanken
|
|
In Beziehung bringen |
2020 |
Bell, Dirk
|
Institut Mode-Design Web
|
|
|
Histoire de la milice française |
1721 |
Daniel (1649-1728), Gabriel
|
HSM-Datenbanken
|
|
|
BIERT + MORAES, RÜTTIWEG 37, 4144 ARLESHEIM |
Biert, Marta; Morger, Priska
|
Next Generation
|
|
|
|
Poster |
2016-04-23 |
ACT Performance Festival
|
|
|
|
Les Philidor, une dynastie de musiciens |
1995 |
Dupont-Danican Philidor, Jean-François et al.
|
HSM-Datenbanken
|
|
Pantry Content Images (AI generated) |
2025-02-10 |
Beteiligte, Alle
|
SMUC
|
|
|
CC_Cycles of Circulation PUBLICATIONS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
Decolonisation, the History of Design, and the Designs of History |
2021 |
Ansari, Ahmed
|
Memory Full
|
|
|
VISUALIZING CULTURAL DIFFERENCES EXPERIENCED BY AFRICAN IMMIGRANTS IN SWITZERLAND |
Oplatek, Jiri et al.
|
Next Generation
|
|
|
|
L'Art militaire ou Les Exercises de Mars |
1695 (ca.) |
Guérard (~1648-1719), Nicolas
|
HSM-Datenbanken
|
|
|
Transformer 2 - Biel, VerWandlungen zwischen Mann und Frau - Eine Veranstaltungsreihe über Geschlechteridentitäten |
2007 |
Minder, Veronika et al.
|
Revolving Histories
transformer 2 - Biel
|
|
|
Archive des Ephemeren: Denken, Praktizieren, Vernetzen, Weitermachen |
2019 |
Grau, Pascale et al.
|
Archive des Ephemeren
|
|
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |
Salgado Cofré, Daniela
|
Memory Full
|
|
|
Traité des Armes, 1678 |
1678 |
Gaya [Sieur de Tréville] (~1660 - ~1690), Louis
|
HSM-Datenbanken
|
|
|
Mémoires du Marquis de Sourches sur le règne de Louis XIV 1681-1712 |
1681-1712 |
Bouchet, Marquis de Sourches (1645-1716), François-Louis
|
HSM-Datenbanken
|
|
|
Règlement général pour la compagnie des Cent Suisses de la garde du Roy |
1714 |
HSM-Datenbanken
|
|
|
|
Artikel "Militärmusik" |
1997 |
Hofer, Achim et al.
|
HSM-Datenbanken
|
|
|
Le Régiment des Gardes-Suisses au service de France (1616-1792) |
1964 |
Castella de Delley, Rodolphe
|
HSM-Datenbanken
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
(1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! |
2017 |
Pellaton, Gil
|
Diplom HGK
|
|
|
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Schäfer-Schafroth, Elfi et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. XXXX to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Canarezza, Rita et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Hafzia, Valodia Asmal et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Rindlisbacher, Sonja et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. 12 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
collectif123 et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. 123 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
sennhausbach et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|
|
|
Contribution Nr. 10D to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Lavríková, Lubomíra et al.
|
Revolving Histories
PANCH Soziale Eleganz ; Come and Show
|