| titel | year | author | event |
|---|---|---|---|
The Holy Pig of Berlin |
11. Oktober 2012 |
Staehli, Nina
|
-
|
CONFETTI : jusqu’à l’explosion / CONFETTI : until it pops / CONFETTI : bis es knallt |
2022 |
Gobet, Mélanie
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
TearHead in Nashville |
2014 |
Staehli, Nina
|
-
|
Ein Fest für Yoshi + Moshi |
2012 |
Staehli, Nina
|
-
|
Ruby Dean & Tim Krohn |
2011 |
Staehli, Nina; Krohn, Tim
|
-
|
Ahnung des Abschieds |
2016 |
Simon, Regina
|
“Klimagarten 2085”, Kunst & Botanik, ETH Zürich
|
2022-0530 MAY-MOMENT, 1 |
2022 |
Simon, Regina
|
|
Sound Performances for Clothes and Experimental Voice - lecture-performance |
2022 |
Šterns, Ilmārs
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Lichtkaskade + LICHT-ko’ta’ma (komposition, tanz, malerei) |
2019 |
Simon, Regina
|
In Erbschaft des Lichtes
|
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Exkursion & Talk 10.07.2022: Encounter : Environment : Sympathetic Streams |
2022 |
Maly, Peter; Sunarjo, Benjamin; Maly, Valerian
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
manchmalbinichweiss und manchmalbinichschwarz |
2015 |
Simon, Regina
|
Kulturnacht CH-Liestal
|
Lichtkaskade |
2019 |
Simon, Regina
|
In Erbschaft des Lichtes
|
Stilllaut - Wenn man mit den Ohren sieht, und mit den Augen hört. |
2019 / 2022 |
Neff, Christian; Leirner, Lua
|
|
2022-0531 June Moment |
2022 |
Simon, Regina
|
|
ZZZ Zeitfenster zur Zukunft Nr. 2 |
2021 |
de Baan, Nora; Berndt, Tobias
|
AIR_WASTE_HEALTH_WATER_ENERGY_EARTH_SOIL
|
Teutopia-Satellit |
2004 |
Siegfried, Walter
|
Teutopia van Lieshout
|
Sechs ohne Material |
2011 |
Otong, Boedi S.; Hochuli, Gisela; Ackermann, Glynis; Goessi, Markus; Klingler, Monica; Zollinger, Thomas
|
|
nach Linz hinein, durch Linz hindurch, aus Linz hinaus |
2007 |
Zollinger, Thomas
|
|
Interview Pawel Korbus |
2022 |
Saemann, Andrea; Regn, Chris
|
BANG BANG - translokale Performance Geschichten
|
The Wish-Key |
2021 |
De Pinto, Pier Giorgio
|
Not in a Festival
|
Arkadien brennt - Ein Zwischenspiel |
2022 |
Wiesendanger, Léonard
|
|
Papierstrasse |
2021 |
Becker, Sandra
|
Open Studios
|
Naked Slow Walk |
2014 |
Zollinger, Thomas
|
Zagreb, I love you Festival
|
Körper Stadt Raum |
2007 |
Zollinger, Thomas
|
|
Naked Art Walk |
2012 |
Zollinger, Thomas
|
|
Panta Rhei |
2021 |
Becker, Sandra
|
|
How to heal our broken hearts |
2016 |
De Pinto, Pier Giorgio
|
Zurich Dada 100 Jubilee at Cabaret Voltaire
|
Creatures #4 |
2016 |
De Pinto, Pier Giorgio
|
|
Index 42_The Phases of the Pomegranate |
2015 |
De Pinto, Pier Giorgio; Lupi, Ivan [AMAE Collective]; Nancy, Jean-Luc
|
|
Five Elements, Five Phases, Five Agents, Five Movements, Five Processes, Five Steps |
2013 |
De Pinto, Pier Giorgio
|
|
58 (+1) INDICES ON THE BODY. Indices 60_61_62_63. A Living Archive |
2014 |
De Pinto, Pier Giorgio; Lupi, Ivan [Amae Collective]
|
|
RUFEN - mobile Gesangsskulptur |
2005 |
Siegfried, Walter; Helfrich, Frank
|
|
HYPER-ECTOGEN (Crash Test) |
2021 |
Marone, Madeline; Shields-Hanau, Gabriel
|
|
Fraught |
2015 |
De Pinto, Pier Giorgio; Signorile, Valter Luca
|
Double solo show by Pier Giorgio De Pinto and Valter Luca Signorile
|
If I were in your shoes I would wear your shoes |
2016 |
De Pinto, Pier Giorgio
|
Manifesta 11 - Zurich
|