| titel | year | author | event |
|---|---|---|---|
Les facteurs d'instruments de musique |
1893 | ||
In Beziehung bringen |
2020 |
Bell, Dirk
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(1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! |
2017 | ||
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Schäfer-Schafroth, Elfi; Heinrich, Jochen; Schäfer, Martin
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. XXXX to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Canarezza, Rita; Coro, Pier Paolo
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. XXXX to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Iten, Elsbeth Carolin
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Hafzia, Valodia Asmal
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. XXXX to PANCH Soziale Eleganz Come and Show – Performance All Day Long |
06.08.2022 |
Rindlisbacher, Sonja
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 12 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
collectif123; Bernauer, Yadin; Bertuchoz, Emma; Gjorgjevski, Giuliana Maria
|
PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 123 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
sennhausbach; Hauser, Linda; Senn, Liv; Maibach, Jacqueline
|
PANCH Soziale Eleganz ; Come and Show
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Contribution Nr. 10D to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Lavríková, Lubomíra; Vlková, Veronika
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PANCH Soziale Eleganz ; Come and Show
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Contribution Nr. 11 to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Ghisalberti, Flavia
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PANCH Soziale Eleganz ; Come and Show
|
Contribution Nr. 10C to PANCH Soziale Eleganz: Come and Show – Performance All Day Long |
06.08.2022 |
Forster, Gabriel
|
PANCH Soziale Eleganz ; Come and Show
|
Partition de Plusieurs Marches et batteries de tambour tant françoises qu'Étrangeres |
1705 | ||
Die Trompete |
1977 | ||
Data Generator Pictorial |
2025 | ||
Les Travaux de Mars, ou l'Art de la guerre |
1696 | ||
L'École de Mars, ou Mémoires instructifs sur toutes les parties qui composent le corps militaire en France |
1725 | ||
Histoire de la milice française |
1721 | ||
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 | ||
Les Philidor, une dynastie de musiciens |
1995 | ||
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 | ||
L'Art militaire ou Les Exercises de Mars |
1695 (ca.) | ||
be_happy |
2017-04-22 |
Reichenbach, Estefani B.
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 | ||
Traité des Armes, 1678 |
1678 | ||
Mémoires du Marquis de Sourches sur le règne de Louis XIV 1681-1712 |
1681-1712 | ||
Myself as Outsiderartist - Bildverfahren zur Aufzeichnung von beschissenen inneren Bedingungen zur Entstehung eines schöpferischen Drangs |
2008, 2009 |
Andereggen, Ariane
|
Swiss Art Awards
|
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
|
Dream of Zanzibar |
1985 |
Hahn, Alexander
|
1985 International Video Festival, Locarno
|
Artikel "Militärmusik" |
1997 | ||
Règlement général pour la compagnie des Cent Suisses de la garde du Roy |
1714 | ||
Le Régiment des Gardes-Suisses au service de France (1616-1792) |
1964 | ||
GAMA Vocabulary |
2010 |