| titel | year | author | event |
|---|---|---|---|
First times do not exist. Translating and citing as relational practices of (re)use |
2023-10 | ||
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
Ecologies of dissemination |
2023-10 | ||
Conversation with Séverine Dussollier: Subverting the narrative of property |
2025 | ||
Megazin 2: Ausbruch aus den Medien |
2023 | ||
Performance Artists Go Flat |
2023 | ||
Gravity ein Fotobuch von Nara Pfister |
2023 | ||
Rewriting FAIRness |
2024 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
Practices of transformative publishing |
2024-11 | ||
X Properties |
2022 | ||
City as commons |
2018 | ||
Düne Wedding |
2020 | ||
Marx-Engels-Forum ja! |
2018 | ||
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 | ||
Accumulation: The Material Politics of Plastic |
2013 | ||
I like chaos, but I don’t know whether chaos likes me: Texte aus „Frauen und Film“ |
2021 | ||
Am Rand von EuropaCity |
2022 | ||
Inspiring the light in the darkness |
2018 | ||
My name is language |
2020 | ||
Birds |
2019 | ||
Megazin 5: Soziale Eleganz |
2023 | ||
Encontrar Palabras. Finding words Ein Projekt von Nicole Boillat mit der Autorin Sofía Biondi realisiert in Buenos Aires |
2022 | ||
Luege & Zeichne. Watch & Draw |
2023 | ||
Noun to Verb: Publication as Process |
|||
Sirene: Goldrausch 2020 |
2020 | ||
Hydra: [Goldrausch 2019] |
2019 | ||
Towards a decolonial feminist politics of reuse |
2024 | ||
Critical FAIRness |
|||
Make/Sense Assembly 2025. Practice-based Forms of Reading and Writing |
2025 | ||
Paper Struggles |
|||
Teaching the radical - a syllabus |
2024 | ||
Publishing strategies: From “independent” to “intersectional” |
2023 | ||
Who gets in? Rethinking Admission – Confronting Segregation |
2022 | ||
Die Legende vom sozialen Wohnungsbau |
2021 |