| titel | year | author | event |
|---|---|---|---|
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Innards 1–5 |
2018 | ||
Get the bird out |
2019 | ||
Decor one to nine |
2020 | ||
k.A. |
2018 | ||
Dogs Don’t See Rainbows |
2019 | ||
Attractive Spots |
2019 | ||
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
Tralala |
2019 | ||
le souffle court |
2020 | ||
Erratic Behaviour; Heatwave |
2022 | ||
raízes de rios |
2022 | ||
Lebenswelt |
2019 | ||
july / lucy |
2018 | ||
Ich gehe täglich auf die Waage und hoffe auf ein Wunder. Preview |
2018 | ||
Photodendron |
2018 | ||
I Cry in My Calvins |
2019 | ||
Mob Mob Mob Mob Mob |
2019 | ||
magnitudes, tides and voices from the core(-horizon) |
2021 | ||
Care and Captivity |
2022 | ||
I ay eye aille 愛 – sticky eyelashes behind lavender sunglasses { it’s all real + add shiny filter } |
2022 | ||
The party is over |
2019 | ||
Stage of Confidence |
2017 | ||
(1) Matrix Digitales / (2) Ohne Titel |
2017 | ||
Table des matières / Table of contents |
2017 | ||
b#188 / working, living sculpture |
2017 | ||
(1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled |
2017 | ||
Eden |
2017 | ||
Kunsthaus Baselland |
2017 | ||
Adeline |
2017 | ||
Ohne Titel |
2017 | ||
(1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! |
2017 | ||
Save the Poor Image / Hommage an Hito Steyerl |
2017 | ||
Die sieben letzte Lieder |
2017 | ||
(1) Rejetée / (2) Blueback |
2017 | ||
Bounty Beaches (Serie) |
2017 |