Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 |
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Orientamento tra natura e storia |
2021 |
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A Designer’s Journey. The poster:
A valid medium for transformative design? |
2021 |
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Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
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TERMINUS. Virtueller Spaziergang durch ein postapokalyptisches Basel |
2022 |
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Das ist neutral. Wie kann man die Neutralität darstellen? |
2018 |
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14’904 |
2019 |
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Looking into Fog. An investigation of fog as a design element |
2019 |
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Raumperspektiven. Eine visuelle und verbale Auseinandersetzung mit dem Raum |
2021 |
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Mani Matter im heutigen Kontext |
2022 |
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Schnittstelle Sprache/Schrift |
2022 |
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Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
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A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
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Wechselspiel analog/digital. Eine Entdeckungsreise mit Formen |
2018 |
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Eine Grenze – zwei Seiten |
2018 |
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Workshop Matters. Visual inquiry into co-workshops |
2022 |
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SENSE OF TIME |
2022 |
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Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
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Revealing the Medium. On Exposing Systems Through Failures |
2018 |
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From Image to Graphic. The Human and Machine Perspective |
2018 |
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An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
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Der Einfluss von künstlichem Licht auf Insekten und Pflanzen |
2021 |
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analog augmented reality. Freilagerplatz |
2022 |
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Bildzeichen für die Kommunikation unter Fussballfans |
2022 |
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NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
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The Reciprocal Relationship of Image and Sound in Animated Film Narratives |
2018 |
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Spielerisches Plakat. Mikroplastik in Kosmetika |
2018 |
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La tchatche des djasous |
2018 |
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How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 |
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The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. |
2021 |
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No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies |
2021 |
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Visual Language. A Collection of Verbal Contrasts |
2018 |
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Zeichen des Göttlichen. Zeitgenössische Religionen in einer säkularen Gesellschaft |
2018 |
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Transit-Orte bei Nacht |
2019 |
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Seeing Klybeck. Visualizing an urban community |
2019 |
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Souvenir - se souvenir |
2022 |
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