| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 |
Lakra, Zubin
|
Diplom HGK
|
|
|
Orientamento tra natura e storia |
2021 |
Beretta, Martino
|
Diplom HGK
|
|
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 |
Yaman, Ahmet Kerem
|
Diplom HGK
|
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
Choi, Hansol
|
Diplom HGK
|
|
|
TERMINUS. Virtueller Spaziergang durch ein postapokalyptisches Basel |
2022 |
Rick, Timo
|
Diplom HGK
|
|
|
Das ist neutral. Wie kann man die Neutralität darstellen? |
2018 |
Son, Ahyong
|
Diplom HGK
|
|
|
14’904 |
2019 |
Strub, Alisa
|
Diplom HGK
|
|
|
Looking into Fog. An investigation of fog as a design element |
2019 |
Müller, Stephanie
|
Diplom HGK
|
|
|
Raumperspektiven. Eine visuelle und verbale Auseinandersetzung mit dem Raum |
2021 |
Diemunsch, Patricia
|
Diplom HGK
|
|
|
Mani Matter im heutigen Kontext |
2022 |
Eggmann, Niklas
|
Diplom HGK
|
|
|
Schnittstelle Sprache/Schrift |
2022 |
Köfer, Soraya
|
Diplom HGK
|
|
|
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
Zafferani, Giulia
|
Diplom HGK
|
|
|
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
David, Erica
|
Diplom HGK
|
|
|
Wechselspiel analog/digital. Eine Entdeckungsreise mit Formen |
2018 |
Sole, Angela
|
Diplom HGK
|
|
|
Eine Grenze – zwei Seiten |
2018 |
Krenmayr, Franziska Sarina
|
Diplom HGK
|
|
|
Workshop Matters. Visual inquiry into co-workshops |
2022 |
Paeva, Victoria
|
Diplom HGK
|
|
|
SENSE OF TIME |
2022 |
Mehret, Shewit
|
Diplom HGK
|
|
|
Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
Tobler, Laura
|
Diplom HGK
|
|
|
Revealing the Medium. On Exposing Systems Through Failures |
2018 |
Nüssli, Michelle
|
Diplom HGK
|
|
|
From Image to Graphic. The Human and Machine Perspective |
2018 |
Cha, Hwi Rhan
|
Diplom HGK
|
|
|
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
Rizzotti, Mario Fabio
|
Diplom HGK
|
|
|
Der Einfluss von künstlichem Licht auf Insekten und Pflanzen |
2021 |
Reber, Timo
|
Diplom HGK
|
|
|
analog augmented reality. Freilagerplatz |
2022 |
Lenzlinger, Oliver
|
Diplom HGK
|
|
|
Bildzeichen für die Kommunikation unter Fussballfans |
2022 |
Fey, Yannick
|
Diplom HGK
|
|
|
NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
Auburger, Stella
|
Diplom HGK
|
|
|
The Reciprocal Relationship of Image and Sound in Animated Film Narratives |
2018 |
Hörler, Simone Mirjam
|
Diplom HGK
|
|
|
Spielerisches Plakat. Mikroplastik in Kosmetika |
2018 |
Imhof, Madelene Simone
|
Diplom HGK
|
|
|
La tchatche des djasous |
2018 |
Rondez, Julien
|
Diplom HGK
|
|
|
How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 |
Park, Sunjung
|
Diplom HGK
|
|
|
The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. |
2021 |
Foltran, Barbara
|
Diplom HGK
|
|
|
No Longer Body—Still Body. Images that reflect contemporary discussion on the given bodies |
2021 |
Hong, Mee Ra
|
Diplom HGK
|
|
|
Visual Language. A Collection of Verbal Contrasts |
2018 |
Bühler, Johanna
|
Diplom HGK
|
|
|
Zeichen des Göttlichen. Zeitgenössische Religionen in einer säkularen Gesellschaft |
2018 |
Foos, Angelina
|
Diplom HGK
|
|
|
Transit-Orte bei Nacht |
2019 |
Fisher, Nora
|
Diplom HGK
|
|
|
Seeing Klybeck. Visualizing an urban community |
2019 |
Demelier, Tammy
|
Diplom HGK
|
|
|
Souvenir - se souvenir |
2022 |
Bürki, Anna Chiara
|
Diplom HGK
|