| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Experimenting Recycling of plastics |
2018 |
Güngör, Alev; Fink, Sade
|
Institut Mode-Design Web
|
|
Strings of Creativity |
2026 |
Malekova, Adelina
|
Next Generation
|
|
Strange Fruits |
2011 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
Project room during the group show Reflected Vision by Jon Campbell and Andrea La Rocca at MACT & CACT Museo e Centro d’Arte Contemporanea Ticino, Switzerland
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
|
Vierfüsser / Animal Walk |
1995 (auch 1992 und 1993 in ähnlicher Form aufgeführt) |
Fuchs-Jacques, Esther et al.
|
Revolving Histories
Auswärts
|
|
|
Vegetalista |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
Irresistible Infrastructure |
2026 |
Dieterich, Maika
|
Next Generation
|
|
Amazonian Pineapple |
2022 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
The Devil's Breath |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
Visual Smell Wheel: Scents of the Amazonian Chemospace |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Tunda: A Quantic Plant and the Devil’s Breath |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
Irresistible Infrastructure |
2026 |
Dieterich, Maika
|
HyperWerk
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Grenzgang. From Dreispitz to the space of the trinational region |
Florenz, Beate et al.
|
Grenzgang
|
|
|
Kiwicha - Song |
2025 |
Mensch, Julia; Viola, Sofía
|
Plant_Intelligence
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Datenmanagement an Kunsthochschulen - Anforderungen zwischen Forschung, Vermittlung und Archiv |
2022 |
Lurk, Tabea
|
Werke
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 |
Downey, Peter
|
OpenAccessPublikationen
|
|
|
Collection and Comparisons of Measurement Data of Historical Small-Sized Bassoons |
2023 |
Agrell, Donna et al.
|
OpenAccessPublikationen
|
|
|
Diary of a Nonrealization |
2023 |
Fonti, Laura
|
HyperWerk
|
|
I Object |
2020, 2021 |
[The Field] et al.
|
Revolving Histories
|
|
|
The Yellow Chair |
2026 |
Maczka, Barbara
|
Next Generation
|
|
|
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 |
Robin, Vincent
|
OpenAccessPublikationen
|
|
|
Becoming LYSANN |
2021 |
König, Lysann et al.
|
Revolving Histories
|
|
Rooftop |
2020-04-17 |
Ioakeimidis, Vasilis
|
Peripher_ies
|
|
|
Decolonisation, the History of Design, and the Designs of History |
2021 |
Ansari, Ahmed
|
Memory Full
|
|
|
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 |
Smith, Anna
|
OpenAccessPublikationen
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
Frühe Streichinstrumente um 1500
|
|
Action Center |
2019 |
Tacheron, Anne-Lise et al.
|
Revolving Histories
far° Nyon 2019
|
|
|
Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes |
2021 |
Dongois, William
|
OpenAccessPublikationen
|
|
|
Searching for the musical mother-tongue |
2024 |
Leclaire, Agnes
|
HyperWerk
|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
katchamooribum degree |
2001, 2015 |
Wili, Anmari Mëtsa Yabi et al.
|
Revolving Histories
Europäischer Musikmonat 2001 Basel
|
|
|
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
Saemann, Andrea et al.
|
Revolving Histories
|