| titel | year | author | event |
|---|---|---|---|
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Ley. Textile meets cultures |
2018 | ||
Remix // Mashups. Referenzielle Verfahren im Unterricht des bildnerischen Gestalten |
2018 | ||
Irrgarten. Kugelschreiber, 500 x 150 cm |
2018 | ||
Something Between My Mouth and My Ear |
2018 | ||
EDUCATION SENTIMENTALE |
2018 | ||
Collaborations |
2018 | ||
Capsule II: Empathy |
2018 | ||
Generation Indoor |
2018 | ||
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Mahlzeit! |
2018 | ||
2018 |
2018 | ||
GENCIVES |
2018 | ||
Depicting Inequality. Still-Life as an Expansion of Documentary Photography |
2018 | ||
Intuitive haptic telemanipulator for a robotic endoscope |
2018 | ||
Innards 1–5 |
2018 | ||
Bildfragmente |
2018 | ||
Die subversive Kunsterziehung. Ein Manifest |
2018 | ||
Mapping of a Mind. Untersuchung eines künstlerischen Handlungskonzepts |
2018 | ||
Im Dazwischen. In the in-between |
2018 | ||
Are Images an Epistemic Medium? |
2019 | ||
Du isst oder du isst nicht. Bühnen- und Kostümbildentwurf nach dem Roman Ein Mann der schläft von Georges Perec |
2020 | ||
Du musst ins Zwerchfell atmen! |
2020 | ||
Jes |
2019 | ||
ZusammenArbeit |
2019 | ||
Der dritte Raum. BA-Projekt Design |
2019 | ||
clever clean – simple life |
2019 | ||
Fragmente von Buchstaben |
2019 | ||
Get the bird out |
2019 | ||
Elegance is the suavity in movement. |
2019 | ||
ON TOGETHERNESS & SELF-ALIENATION. Wie sich Gefühle von Zusammengehörigkeit auch in Zeiten von Isolation in der künstlerischen Praxis manifestieren |
2021 | ||
A Body In My Shadow |
2021 | ||
Gegenstand der Wiederverwendung |
2020 | ||
SHOES IN PARIS ARE INCREDIBLY BORING |
2020 | ||
ALIEN |
2020 | ||
Decor one to nine |
2020 |