| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Ingrid Rusterholtz befragt von Chris Regn |
20. August 2018 |
Regn, Chris et al.
|
Feministisches Improvisatorium
|
|
|
Line Boser & Lysann König befragen sich |
22. August 2018 |
Boser, Line; König, Lysann
|
Feministisches Improvisatorium
|
|
|
Katha Baur befragt von Anita Fetz |
15. August 2018 |
Fetz, Anita; Baur, Katha
|
Feministisches Improvisatorium
|
|
|
Mother Matrix |
2003 |
Streiff, Barbara et al.
|
Revolving Histories
World Exhibition for Freedom
|
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
Streifenweise Selbstreflexion |
2021 |
Pfister-Köfler, Hansjörg [Mirzlekid et al.
|
Revolving Histories
PerFORM¡ Das kleine Performance Festival
|
|
Wohin ist es verschwunden? Fragmente einer Traumwelt |
2017 |
Wespi, Natalia; Luv, Linda
|
Revolving Histories
ACT Basel 2017
|
|
|
Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession |
2019 |
Puricelli, Alessandra
|
Diplom HGK
|
|
Eine BALLade, ein Einfraustück rund um den Ball in fünf Bildern |
1988 |
Brodbeck, Claudia et al.
|
Revolving Histories
|
|
|
Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process |
2020 |
Brusch, Alain
|
Diplom HGK
|
|
Me as a Fountain |
2019 |
Grau, Pascale et al.
|
Revolving Histories
Performance Open Air
|
|
|
La Grand Bleu. A gentle and beautiful call for attention - Tender, empowering, simultaneous, sensitive, strong |
2021 |
Trabelsi, Naima
|
Diplom HGK
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
(That’s what I heard when they played) É Proibido Proibir, Ofertório, It’s a Long Way |
Emge, Nina
|
Next Generation
|
|
|
sometimes quickly changed |
2019 |
Lussi, Rochus et al.
|
Revolving Histories
|
|
|
Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
OpenAccessPublikationen
|
|
|
|
What now |
06.11.2020 |
Valterio, Joëlle et al.
|
6_2_Performance-Duos
|
|
|
Spaziergang mit Sau |
2001 |
Maag, Irene et al.
|
Revolving Histories
Regionale 2001
|
|
Seien Sie Flugdame |
1990 |
Mathis, Muda [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
I'm not there. The challenges in implementing 3D design in fashion practice - a prospective study with knitwear |
2021 |
Albrecht, Annika et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Ganassi: 'Regola Rubertina' (1542), 'Lettione Seconda' (1543). A synopsis of the text relating to the viol |
1978/1979 |
Gammie, Ian
|
HSM-Datenbanken
|
|
Me as a sculpture |
2009 |
Ritzmann, Marion et al.
|
Revolving Histories
ERNTE 09
|
|
A Fur of Fear |
2017 |
Mathis, Muda et al.
|
Revolving Histories
Guyu Performance Festival China
|
|
|
Nur ein kleiner Tod |
1990 |
Mantel, Tina et al.
|
Revolving Histories
|
|
|
Annemarie Pfister befragt von Chis Regn |
20. August 2018 |
Regn, Chris et al.
|
Feministisches Improvisatorium
|
|
|
Alter unbekannt |
06.11.2020 |
Urech, Uri
|
6_2_Performance-Duos
|
|
|
Lena Rérat befragt von Muda Mathis |
20. August 2018 |
Mathis, Muda; Rérat, Lena
|
Feministisches Improvisatorium
|
|
|
Presence of absence |
06.11.2020 |
Valterio, Joelle
|
6_2_Performance-Duos
|
|
|
Anita Fetz befragt von Katha Baur |
15. August 2018 |
Baur, Katha; Fetz, Anita
|
Feministisches Improvisatorium
|
|
|
Reflexion 6x2 Performance Duos |
08.11.2020 |
Maag, Irene et al.
|
6_2_Performance-Duos
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
|
A Stable of Jockeys |
2020 |
Nilo, Dawn et al.
|
Revolving Histories
WAAP Gallerlly
|
|
Can you see me |
2021 |
Scherrer, Ursula et al.
|
Revolving Histories
Permanente Performance - 40 Jahre Konzil
|
|
|
I am a network |
2000 |
Vogel, Fritz Franz
|
Revolving Histories
|
|
|
HOMECOMING. Multiplicity, Mobility and Composition: Embracing the attributes of Ubuntu on a journey of rediscovery through cultural heritage and cultural comprehension in design |
2019 |
Blaser, Chioma Adeyemi
|
Institut Integrative Gestaltung / Masterstudio
|
|
Happening in Seebach Monstershow |
1969 |
Bruhin, Anton et al.
|
Revolving Histories
Einzelanlass
|