| titel | year | author | event |
|---|---|---|---|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 | ||
Bau einer Gambe nach Ganassi |
|||
Rybeben am Hof Maximilians I |
2015 | ||
Petrus dictus Palma ociosa: Compendium de discantu mensurabili (Amiens, 1336) |
2023 | ||
Raumveränderung - Ramona Barfuss |
2012-04-05 | ||
Body & Soul - Léandre Thiévent |
2012-04-05 | ||
Planung und Organisation |
|||
Organisation du projet - Colloque |
|||
Migma Programm 2001 |
2001 | ||
o.T. - Emilie Lopes Garcia, Jeanne Maudin |
2012-04-05 | ||
Trompettes marines - Sekundärquellen |
|||
Press Release |
|||
Die Gross Geige in der Kunst am Oberrhein (Graf, Grünewald, Holbein d. J.) |
2015 | ||
Lights Off |
2016 | ||
Les travaux de Mars, Trompette, 1696 |
1696 | ||
Migma Programm 2006 |
2006 | ||
Migma Programm 2007 |
2007 | ||
Les fifres dans les compagnies entre 1660 et 1761 |
2009 | ||
Denkpool I: Archive des Ephemeren und Datenbanken |
23. 03.2018 | ||
J.-B. Prin, Traité sur la trompette marine, 1742 |
Basel | ||
Zu Tisch - Sara Grütter, Natascha Nüesch, Vera Bruggmann, Flaka Xhemajli |
2012-04-05 | ||
Fragen ARCHIVES & BEYOND |
2024 | ||
Zeugenbericht Matthias Möbius |
2025 | ||
Zeugenbericht Matthias Scheurer |
2025 | ||
Ablauf Workshop I |
2024 | ||
Soundscape_Spaziergang |
2020-10-01 |
Huwyler, Basil
|
|
Ganassi – Arbeitstagebuch |
2014 | ||
nackt gehen max 1m/min |
2010 |
|
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 | ||
Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation |
2020 | ||
Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space |
2019 | ||
Falling through the cracks |
2021 | ||
En Masse oder individueller Konformismus. BA-Projekt Kunst |
2019 | ||
sick and tired. spoons and other tools |
2021 | ||
Fluchtbesuche |
2018 | ||
New Ways of Preparing Tea |
2019 |