| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
Revolving Histories
|
|
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media |
2015 |
Giannone, Carola et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Strategies of Seed |
2018 |
Edens, Saskia et al.
|
Revolving Histories
residency Artic Action
|
|
|
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 |
Comotto, Belén
|
HyperWerk
|
|
|
Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth |
2025 |
Marder, Michael et al.
|
Plant_Intelligence
|
|
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 |
Portal, Fernando
|
Memory Full
|
|
|
The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 |
Messerli, Anja Paula
|
Diplom HGK
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
ORACLIZED. Investigating the human factor at the nexus of the analog and the digital realm |
2019 |
Meier, Moritz et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Pears will fall from the apple trees Performance Art Workshops and the Possibility of a Queer Earthly Asthetics |
2026 |
Lauritsen, Olga
|
HyperWerk
|
|
|
Sinnflut |
2011 |
Hausheer, Angela [Kollabor] et al.
|
Revolving Histories
|
|
|
4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections |
1993 |
Young, Phillip
|
HSM-Datenbanken
|
|
|
Problems of authenticity in sixteenth-century Italian viols and the Brussels collection |
2002 |
Moens, Karel
|
HSM-Datenbanken
|
|
|
monologue of a mother, lover, daughter or just your personal chair / loveletters |
Lammer, Elise et al.
|
Next Generation
|
|
|
|
SNF-Eintrag: Technologie - Mensch - Design: Paradigmen des Ubiquitous Computing |
ubicombs - Technology – Human – Design: Paradigms of Ubiquitous Computing
|
||
|
|
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 |
Narby, Jeremy et al.
|
Plant_Intelligence
|
|
|
The Absence of Work |
2012 |
Bajo, Elena et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
Art of Seeking |
2019 |
Kulka, Irena et al.
|
Revolving Histories
coARTex Event
|
|
|
Periphery Data Documentation |
2023 |
Torpus, Jan et al.
|
ubicombs - Technology – Human – Design: Paradigms of Ubiquitous Computing
|
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |
Duculescu, Mirela
|
Memory Full
|
|
Dokumentation zu "in utero (unbearable lightness_The Trivial Pursuit of Happiness)" von Barbara Naegelin |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 |
Waterhouse, William
|
HSM-Datenbanken
|
|
|
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 |
Schmidt, Benoît
|
Diplom HGK
|
|
Algorithms of Partiality |
2017 |
Parkonnen, Hedda et al.
|
Revolving Histories
|
|
|
Freundeskreis |
2014 |
Pfister, Nara et al.
|
Revolving Histories
|
|
|
Out of classroom in Stolpe, Germany – Body molds from workshop with sci-fi artist Esmay Wagemans |
2019 |
Institut Mode-Design Web
|
|
|
flags 5 - podcast GCAS - "Flags and performances - in search of a new sandbox" (Einreichung 7) |
2021 |
Magos, Gabriel et al.
|
Revolving Histories
Who is afraid of the humanities - podcast Serie GCAS
|
|
|
Prozession der Nackten |
2014 |
Zollinger, Thomas et al.
|
Revolving Histories
au joli mois du mai
|
|
|
Circus of the Soul |
2021 |
Nilo, Dawn et al.
|
Revolving Histories
For the exhibition: Dawn Nilo: Blueprints
|
|
|
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 |
Mercado, Alvaro
|
Memory Full
|
|
|
Performance of everyday Flow |
2009 |
Streiff, Barbara et al.
|
Revolving Histories
|
|
|
The Journey of Tea Leaves. Interior Herb Garden Design in Zero Waste Café Collaboration with Impact Hub Basel |
2019 |
Zhang, Ni
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
|
Disembodied Sound of Silence (von Orten die es nicht gibt und Dingen die wir nicht verstehen) |
2014 |
Brugger, Daniela et al.
|
Revolving Histories
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|
|
|
spirit of crossroads, pore-seeker, always in between, for every trap there’s a trick |
Kurth, Daniel et al.
|
Next Generation
|