| Titel | Jahr | author | Event |
|---|---|---|---|
Treasure Map 38; Treasure Map 39; Treasure Map 40 |
2022 | ||
the witch (precapitalist) / acant (moonish) / potential (rose) |
2018 | ||
WHAT THE FUTURE HOLDS |
2020 | ||
Out of order |
2020 | ||
Wall, Wall, Well, Well |
2020 | ||
The Dust Enforcer |
2022 | ||
ATEM |
2020 | ||
Tanker |
2020 | ||
reflector |
2020 | ||
Untitled |
2018 | ||
MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING |
2021 | ||
Scar Tissue |
2022 | ||
Alogo |
2019 | ||
Butter |
2019 | ||
no lemon – no melon |
2019 | ||
Mute mutt and deadspace |
2020 | ||
Fuga |
2020 | ||
To gain speed, to move faster |
2022 | ||
Streamer |
2019 | ||
Falter, hellwach |
2019 | ||
Selected Works with Special Guest |
2018 | ||
Soft radiation |
2021 | ||
Iris / Christopher / Atlanta |
2018 | ||
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 | ||
Not yet titled; Das Herz |
2019 | ||
Lick, swipe, scroll, scratch, wash, caress |
2022 | ||
La Montaña que come Hombres |
2022 | ||
Hobby Lobby |
2022 | ||
For The Hobby Heart |
2019 | ||
Haus Hardstrasse 43 |
2018 | ||
In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled |
2021 | ||
The Last Picture 1950 – 2016 (2019) |
2019 | ||
Zakynthos; Ritom; Otranto; St. Saphorin; Oberwil |
2019 | ||
Study from Böcklin |
2019 | ||
Tunnel; Spiral 1–5 |
2022 | ||
MIAMI; Spinne |
2019 |