| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Fashion against preconceptions - Exploring how fashion affects the concept of comfort under the cultural encounter regarding identity issue |
2018 |
Yoon, Stephanie et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
EDUCATION SENTIMENTALE |
2018 |
Yoon, Nina
|
Diplom HGK
|
|
|
Folds |
2015 |
Chateigné, Yann et al.
|
Videocity_memoriav
|
|
|
Hier ist noch alles in der Schwebe |
2021 |
Klaproth, Stephanie
|
Diplom HGK
|
|
|
Looking into Fog. An investigation of fog as a design element |
2019 |
Müller, Stephanie
|
Diplom HGK
|
|
|
Das Ding – Die Komplexität des Elementaren |
2021 |
Amstutz, Stephanie
|
Diplom HGK
|
|
|
amiGo. Gehhilfe für betagte Personen |
2022 |
Signer, Stephanie
|
Diplom HGK
|
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
Poster Basel |
2008-05-02 |
Berger, Eva et al.
|
ACT Performance Festival
|
|
|
Gesammelte Feedback |
2010-04-11 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
Kunstmaschine |
2010 |
[Künstlergruppe Atelier Bleifrei] et al.
|
Revolving Histories
Kunstexpander
|
|
battlefield#70 |
2010 |
Leuba, Jérôme et al.
|
Revolving Histories
Living sculpture, 2010 in «Sicht auf das Original» at Museum für Gegenwarstkunst, Basel Swiss Performance Award nominated.
|
|
|
Dear charlie, I cannot eat you anymore. Installation, Mixed Media |
2018 |
Amstutz, Stephanie Gaby
|
Diplom HGK
|
|
|
Zenso |
2019 |
Wilsher, Vanessa Stephanie
|
Diplom HGK
|
|
|
Was bleibt – und wie lässt es sich festhalten? |
Frey, Stephanie Florence et al.
|
Next Generation
|
|
|
Making of 2013 |
2013 |
Bachmann, Noemi et al.
|
Erinnerungsraum
|