| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Film und Design, Animationsfilmunterricht 2 |
19701975 |
Pederson, Eva et al.
|
Film + Design
|
|
|
fin |
1984 |
Hoffmann, Anne et al.
|
Film + Design
|
|
|
A Harry Situation |
2025-05-18 |
Hoffmann, Nicklas
|
ACT Performance Festival
|
|
Chapter 14 Mountain Morse |
2015 |
Guerra, Louise et al.
|
Revolving Histories
Kunsthoch Luzern
|
|
Bonus Track 06: The Message – Don't Push Me Cause I'm Close To The Edge |
2020 |
Germann, Monica et al.
|
Revolving Histories
Bonus Track
|
|
Futurespectives - Performing the Louise Guerra Archive |
2018 |
Siegrist, Kathrin [Louise Guerra Archive] et al.
|
Revolving Histories
République Géniale
|
|
|
Freundeskreis |
2014 |
Pfister, Nara et al.
|
Revolving Histories
|
|
|
Der Pilz im Patent - Verstimmung, Klinik, LSD |
2022 |
Köppl, Jörg [ensemble metanoia] et al.
|
Revolving Histories
-
|
|
C61a O domine Iesu Christe (7 motets) |
Finck, Heinrich
|
Motet Cycles
|
|
|
M289 O domine Iesu Christe adoro te descendentem ad inferos |
Finck, Heinrich
|
Motet Cycles
|
|
|
M290 O domine Iesu Christe adoro te resurgentem a mortuis |
Finck, Heinrich
|
Motet Cycles
|
|
|
M287 O domine Iesu Christe adoro te in sepulcro positum |
Finck, Heinrich
|
Motet Cycles
|
|
|
M285 O domine Iesu Christe adoro te in cruce pendentem |
Finck, Heinrich
|
Motet Cycles
|
|
|
M288 O domine Iesu Christe per illam amaritudinem |
Finck, Heinrich
|
Motet Cycles
|
|
|
M286 O domine Iesu Christe adoro te in cruce vulneratum |
Finck, Heinrich
|
Motet Cycles
|
|
|
|
C61b O domine Iesu Christe (3 motets) |
Finck, Heinrich
|
Motet Cycles
|
|
|
|
o.T. (Hände) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Kugel) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
Biennale Kairo |
1998 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Rohr) |
2001 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Kugel) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Tuch) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Rohr) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
Rond about |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Teller) |
2001 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
Jeremy Chevalier |
2005 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T (gelber Mantel auf rote Stange im Mund gelehn) |
2001 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (rosarote Gummibänder) |
2001 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Horn) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Tuch) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
o.T. (Trichter) |
2000 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
Motoguzzi |
2005 |
Lüber, Heinrich
|
Performance Chronik Basel
|
|
|
Allowance und Choice - Über den Prozess, wie ich Verbindungen eingehen lerne |
2023 |
Heinrich, Sarah
|
HyperWerk
|
|
|
Kritische Würdigung 10 Jahre act; PRODUKTION PRÄSENTATION REFLEXION |
2013-09-27 |
Grau, Pascale et al.
|
ACT Performance Festival
|
|
|
Videodokumentation |
2013-09-27 |
Lüber, Heinrich et al.
|
ACT Performance Festival
|
|
|
20 years ago, a discussion |
2023 |
Cassens Stoian, Linda et al.
|
ACT Performance Festival
|