| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia et al.
|
Memory Full
|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas et al.
|
Memory Full
|
|
|
Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich |
2021 |
Eggmann, Niklas et al.
|
Memory Full
|
|
Plants Intelligence - Exhibition |
2025 |
Volkart, Yvonne; Smits, Raitis
|
Plant_Intelligence
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie et al.
|
Memory Full
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|
|
|
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya et al.
|
Memory Full
|
|
|
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud et al.
|
Memory Full
|
|
|
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit et al.
|
Memory Full
|
|
|
Mit der Austerngabel durch Paris 00 |
2008 |
Herzog, Samuel
|
Lemusa
|
|
Zwischen den Dingen |
2016 |
Stauffer, Andrina
|
HyperWerk
|
|
|
initiis … connecting the dots |
2013 |
Käufeler, Patricia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Digitale Zwillinge für die Strukturoptimierung patientenspezifischer Implantate |
Maintz, Michaela
|
Incubator for Design Cultures
|
|
|
|
Program ACT Basel 2019 |
2019-04-28 |
ACT Performance Festival
|
|
|
|
METAFESTIVAL |
2004 |
Kirmis, Constanze
|
HyperWerk
|
|
|
Transformationen im Masterstudio |
2010 |
Fischer, Sarah et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Counter Space |
2025 |
Güngör, Ozan
|
Incubator for Design Cultures
|
|
|
Reconstructing the "fifres" of the Grande Écurie |
Berney, Boaz
|
GrandeEcurie
|
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
Antrag Lehrfonds "seven" |
2020-12-07 |
Team peripher_ies
|
Peripher_ies
|
|
|
Sons of Padde - Ein Film und Fashion Abenteuer |
2017 |
Jascur, Martin
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|
|
|
unwrapped |
2006 |
Soldenhoff, Renato
|
HyperWerk
|
|
myFunerals #5 Danksagung |
2018 |
Luedi, Juerg et al.
|
Revolving Histories
BONE 18 - Festival für Aktionskunst
|
|
|
Bone 19 Triptychon |
2016 |
Hensler, Markus et al.
|
Revolving Histories
BONE 19 - Festival für Aktionskunst
|
|
|
Credo |
2019 |
Blanco, Natalia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
MILITANCY OF SOUND |
2025 |
Gnahoua, Sidonia Yridjé
|
HyperWerk
|
|
|
Escrito en el viento (in den Wind geschrieben) |
2014 |
Maag, Georgette et al.
|
Revolving Histories
Vernissage
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Phasen des Objekts. - Eine Untersuchung zum Beziehungsgeflecht aus Rohstoff, Herstellung, Produkt und Konsum; aus Sicht eines Designers. Dazu: drei Artefakte. |
2015 |
Ediger, Andreas
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Antrag Lehrfonds "campus auditive Annäherung" |
2021-04-19 |
Team peripher_ies
|
Peripher_ies
|
|
|
Ganassi und die Gambe - Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
Frühe Streichinstrumente um 1500
|
|
|
«!» |
2005 |
Whinyates, Peter
|
HyperWerk
|
|
|
Dream of Zanzibar |
1985 |
Hahn, Alexander et al.
|
Revolving Histories
1985 International Video Festival, Locarno
|