| Titel | Jahr | author | Event |
|---|---|---|---|
Man schenkt keinen Hund - (No): Bildbeschreibungen und Interviews |
2019 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
Inspiring the light in the darkness |
2018 | ||
Cold lens as a filter |
2023 | ||
Between you and me |
2019 | ||
Megazin 6: Direktübertragung |
2023 | ||
Megazin 1: Saga |
2023 | ||
Megazin 2: Ausbruch aus den Medien |
2023 | ||
Encontrar Palabras. Finding words Ein Projekt von Nicole Boillat mit der Autorin Sofía Biondi realisiert in Buenos Aires |
2022 | ||
On the edge of: Goldrausch 2023 |
2023 | ||
Tender hooks: Goldrausch 2022 |
2022 | ||
Help! David Cameron likes my art |
2018 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
Luege & Zeichne. Watch & Draw |
2023 | ||
Gravity ein Fotobuch von Nara Pfister |
2023 | ||
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 | ||
All events | les Abattoirs |
2016-11-09 16:25:26 | ||
Sirene: Goldrausch 2020 |
2020 | ||
Mutual matters: Goldrausch 2021 |
2021 | ||
I like chaos, but I don’t know whether chaos likes me: Texte aus „Frauen und Film“ |
2021 | ||
Vaal: my father has a cement mixing truck |
2018 | ||
My name is language |
2020 | ||
Birds |
2019 | ||
Megazin 5: Soziale Eleganz |
2023 | ||
Wiedersehen in Tunix!: ein Handbuch zur Berliner Projektekultur |
2018 | ||
Hydra: [Goldrausch 2019] |
2019 | ||
Megazin 7: Freckly Night |
2023 | ||
Practices of transformative publishing |
2024-11 | ||
Megazin 3: Zur radikalen Gleichwertigkeit von Erfahrungen |
2023 | ||
Megazin 4: Flüchtige Tat |
2023 | ||
One publishes to find comrades |
2021 | ||
Noun to Verb: Publication as Process |
|||
Who gets in? Rethinking Admission – Confronting Segregation |
2022 | ||
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 | ||
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 |