| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Wie kann Design die gesellschaftliche Transformation positiv begleiten ? Ein Beitrag zum Thema Intersektionalität. |
2025 |
Dissel, Julia-Constance
|
Incubator for Design Cultures
|
|
Screaming at Andy Warhol |
2020 |
Gageos, Vanessa
|
Revolving Histories
Silent Vision
|
|
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 |
Comotto, Belén
|
HyperWerk
|
|
|
Design Dialog ICD |
2010 |
Dittus, Sebastian et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Verlustängste - Meri Vukovic |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Icon - Janine Iten |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
175 - Sabrina Labis |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Das Gestell - Rolf Flüeler |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
My funeral no. 1 purification - Juerg Luedi |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Nudelsuppe - Franco D. Sosio, Aresu Khoshy |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Road Trip - Anja Rüegsegger |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Pressetext/Programm |
2018-08-20 09:39:04 |
ACT Performance Festival
|
|
|
|
Suspension - Nagi Gianni Naegeli |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
My funeral no. 1 purification - Juerg Luedi |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Zum Frühstück älter werden - Sabrina Labis |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Learning an Indian raga in Dorian mode. Video recording of a lesson |
2026 |
Zuckerman, Ken
|
HSM-Datenbanken
|
|
|
Social Accent |
2019 |
Agudin, Catalina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Sharing as an act to feel connected |
2024 |
Birrer, Léa Aimée
|
HyperWerk
|
|
Gelber Kreis |
2020 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
|
Lokalmahl |
2016 |
Lützelschwab, Salome
|
HyperWerk
|
|
|
Poröse Traditionen |
2023 |
Bernath, Lea Samira
|
HyperWerk
|
|
Me, me & me! |
2019 |
Séra, Hanga et al.
|
Revolving Histories
Fashion Revolution days Zurich
|
|
|
It’s always night, or we wouldn’t need light. |
2010 |
Stich, Mathias
|
HyperWerk
|
|
|
SKRAT.CH |
2009 |
Mathis, Ramón
|
HyperWerk
|
|
|
Wickel. Dinge für den geistigen Gebrauch |
1985-1995 |
Grau, Pascale
|
Konvolute
|
|
|
Mother Matrix |
2003 |
Streiff, Barbara et al.
|
Revolving Histories
World Exhibition for Freedom
|
|
|
Detached |
2018 |
Traub, Friederike et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
2011-06-19 |
VestAndPage
|
PPP-ProgrPerformancePlattform
|
|
|
|
Ich bin hier. Und du? |
2024 |
Enzinga, Anouchka
|
HyperWerk
|
|
|
Wie wir lernen das Unkraut zu lieben |
2019 |
Vockroth, Viviane
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Stimmstoff |
2013 |
Selber, Valentin
|
HyperWerk
|
|
|
Post Virtuel Internet |
2017 |
Popp, Lukas
|
HyperWerk
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Ankündigung ACT 2003 (Namen, Daten, Einleitung) |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
CADArt |
2008 |
Buehlmann, Boris
|
HyperWerk
|