| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Catalogue Déraisonné: The Archive is present - oder Lob der Lücke |
2023 |
AGFU, Agentur für Unabkömmlichkeitsbegründungen
|
Werke
|
|
|
Stories for industrial design: A close reading of a corded portable electric drill |
2021 |
Pandolfo, Berto
|
Memory Full
|
|
|
Transformations of Instrumental Sonority exemplified by the Early Italian Viol - Symposium 2013 |
2013 |
Frühe Streichinstrumente um 1500
|
|
|
Recycling Fiction - Produktdesign-Zukunft in einer spekulativen Recycling-Welt Vom Müll zum Wertstoff |
2017 |
Thewes, Mikko et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
POPULARISING GENDERLESS CLOTHING in SOCIETY TODAY - Freedom of dressing |
2018 |
Loekito, Jacqueline
|
Institut Integrative Gestaltung / Masterstudio
|
|
Cortecce |
2021 |
Frauchiger, Katrin et al.
|
Revolving Histories
Ouvertüren HSLU 2020
|
|
Waiting for.. |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
Schirme über dem Himmel
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
Identeco |
2018 |
Waeber, Tosca Aimée
|
HyperWerk
|
|
|
Die Rolle der künstlichen Intelligenz in kreativen Prozessen |
2024 |
Herbst, Benjamin
|
HyperWerk
|
|
myFunerals #1-3 |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
Masterclass 2013
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Digitale Resilienz. Widerstand im Informationszeitalter |
2021 |
Zumkeller, Robert
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
Pressespiegel 2014 |
2014 |
Domesle, Andrea
|
Videocity_memoriav
|
|
24 Pigments |
2023 |
Mensch, Julia; Gradín, Lucila
|
Plant_Intelligence
|
|
|
Reverse filmmaking |
2018 |
Alushi, Xheni
|
HyperWerk
|
|
|
Affek. Stadtfragmente |
2015 |
Blatz, Etienne
|
HyperWerk
|
|
|
Critical FAIRness |
Kolb, Lucie
|
e-Publications
|
|
|
|
Unterwegssein |
2016 |
Leuenberger, Lea
|
HyperWerk
|
|
|
hapticscript |
2008 |
Zeitman, Lea
|
HyperWerk
|
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2011 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2012 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Transformer - Aspekte der Travestie |
2020 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
BarrioCom |
2003 |
Springer, Andreas
|
HyperWerk
|
|
|
Nairs in movimaint |
2017 |
Hausheer, Angela et al.
|
Revolving Histories
Nairs in movimaint
|
|
|
Vom Multiple zum Unikat |
2011 |
Gridling, Julia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
StattBüro |
2019 |
Etter, Roman
|
HyperWerk
|
|
|
Ohne Titel |
2015-04-11 |
Badel, Flurina et al.
|
ACT Performance Festival
|
|
|
ALLE FÜR EINE |
2024-04-20 |
Lorenz & Cello
|
ACT Performance Festival
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Programm |
2016-04-23 |
ACT Performance Festival
|
|
|
|
Programm |
2016-04-23 |
ACT Performance Festival
|
|
|
|
Pressematerial - Lichthof Hamburg ARCHIVES & BEYOND I |
2025 |
Gruppe ARCHIVES & BEYOND
|
ARCHIVES & BEYOND
|