| Titel | Jahr | author | Event |
|---|---|---|---|
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 | ||
Shifts in Mapping - Design through Graduation: Notes on the Establishment of Reality by Scale |
2021 |
Bureau d'études
|
|
Out of classroom in Stolpe, Germany – Body molds from workshop with sci-fi artist Esmay Wagemans |
2019 | ||
Art of Seeking |
2019 |
coARTex Event
|
|
Prozession der Nackten |
2014 |
au joli mois du mai
|
|
Jäger von Zoest |
2012 |
Natsch, Yolanda Esthersther Esther; König, Lysann
|
Liste 17 - The Young Art Fair in Basel,11. - 17. Juni 2012
|
Circus of the Soul |
2021 |
Nilo, Dawn
|
For the exhibition: Dawn Nilo: Blueprints
|
Disembodied Sound of Silence (von Orten die es nicht gibt und Dingen die wir nicht verstehen) |
2014 |
Brugger, Daniela
|
|
Inside |
2020-07-03 | ||
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 | ||
Vergegenwärtigung der Gegenwart |
2015 |
Lipp, Dominik
|
Performancepreis
|
BANG BANG: Spiderweb of leisure |
2022 |
Wehrli, Anne Käthi
|
BANG BANG - translokale Performance Geschichte:n
|
In The Name of… |
2012 |
Atem, Gen
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger]
|
|
Reflexion: Solo Isabelle Barth (Video) ZOPF - A VIDEO DOCUMENT OF A PERFORMANCE THAT NEVER HAPPEND |
08.11.2020 | ||
Konstellationen des Konkreten |
2018 |
Chapuis Schmitz, Delphine
|
Concrete Contemporary Now is always also a little of yesterday and tomorrow
|
we are the pillars of our society. Eine interaktive Installation über Transkulturalität in der Bahnhofspasserelle Basel |
2022 | ||
Freiheitsentziehungssache |
2020, 2021 |
Barth, Claudia
|
6x2 Duo Festival / Wildwuchsfestival
|
Performance of everyday Flow |
2009 |
Streiff, Barbara
|
|
Magie des Gehens |
2005 |
|
|
A Stable of Jockeys |
2020 |
Nilo, Dawn
|
WAAP Gallerlly
|
Utopie einer Sozialisation |
1994 |
[stoeckerselig]
|
Korrespondierende Gefässe
|
Dialog des Herzens |
2012 |
Meyer, Alexandra
|
|
Aus dem Rahmen gefallen |
2020 |
Scherrer, Ursula
|
ERNTE 20
|
Die Anatomie des Feststeckens |
2019 |
[PARK]; Herbst, Clarissa; Marchisella, Mario; Rust, Dominique; Wolf, Michael
|
|
A queer cross-reading of Zürich’s performance movements: from their assumed, speculated and negotiated beginnings until ca. 2021 |
2025 |
Rust, Dorothea
|
|
.. ein Hauch von Kunst |
2013, 2014 |
Huwiler, Bernhard
|
|
Sinnflut 3 |
2011 |
Hausheer, Angela [Kollabor]; Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]; Maag, Irene [Kollabor]; Rohner, Isabel [Kollabor]
|
|
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
We Have Learned Nothing In A Thousand Years / Seven Paintings Saved Out Of A Burning House |
2019 | ||
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
Videocity visits REX Box Bern in May 2023 Utopia Today – "The Principle of Hope" (Ernst Bloch) |
|||
Ganassi: 'Regola Rubertina' (1542), 'Lettione Seconda' (1543). A synopsis of the text relating to the viol |
1978/1979 | ||
FIRE OF EMOTIONS : GENESIS |
2016 |
[pamina de coulon]
|
Les Urbaines Lausanne
|
Palm Reading of Tumaroh |
2019, 2020, 2021 |
Langschied, Till
|
|
The Holy Pig of Berlin |
11. Oktober 2012 |
Staehli, Nina
|
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