| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Icon - Janine Iten |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
175 - Sabrina Labis |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Das Gestell - Rolf Flüeler |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
My funeral no. 1 purification - Juerg Luedi |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Nudelsuppe - Franco D. Sosio, Aresu Khoshy |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Road Trip - Anja Rüegsegger |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Pressetext/Programm |
2018-08-20 09:39:04 |
ACT Performance Festival
|
|
|
|
Suspension - Nagi Gianni Naegeli |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
My funeral no. 1 purification - Juerg Luedi |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Zum Frühstück älter werden - Sabrina Labis |
2013-04-13 |
Bleuler, Alex
|
ACT Performance Festival
|
|
|
Lokalmahl |
2016 |
Lützelschwab, Salome
|
HyperWerk
|
|
|
IM BLUTSTROM Strategien zu szenografischer Demaskierung anthropozäner Gestaltung am Kraftwerk Birsfelden |
2026-05-13 |
Larboulette, Marie-Claire et al.
|
In3
|
|
|
Poröse Traditionen |
2023 |
Bernath, Lea Samira
|
HyperWerk
|
|
Gelber Kreis |
2020 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
|
Social Accent |
2019 |
Agudin, Catalina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Make/Sense Assembly 2025. Practice-based Forms of Reading and Writing |
2025 |
Wang, Jackie et al.
|
e-Publications
|
|
Me, me & me! |
2019 |
Séra, Hanga et al.
|
Revolving Histories
Fashion Revolution days Zurich
|
|
Can’t say much about anything that’s new |
2017 |
[PRICE] et al.
|
Revolving Histories
Extraball CCS, Paris - carte blanche Les Urbaines
|
|
BANG BANG: The last european Happening |
2022 |
Andereggen, Ariane et al.
|
Revolving Histories
BANG BANG - translokale Performance Geschichte:n
|
|
|
Kollektiver Fluss Fragmentierte diasporische Spuren am Rhein |
2026-05-13 |
Maow, Naima et al.
|
In3
|
|
|
Online Talk Session / Mini Lecture "Soundscape Japan, Sounds For Control And Order" |
2020-12-27 |
Bühler, Jörg
|
Peripher_ies
|
|
|
Design für eine bessere Welt – ein Aufruf für mehr Vorstellungskraft |
2025 |
Peuker, Sibylle
|
Incubator for Design Cultures
|
|
|
It’s always night, or we wouldn’t need light. |
2010 |
Stich, Mathias
|
HyperWerk
|
|
|
SKRAT.CH |
2009 |
Mathis, Ramón
|
HyperWerk
|
|
|
Nachvollziehbarkeit schaffen : Design als Brücke zur KI-Erklärbarkeit |
2025 |
Lüthy, Rahel
|
Incubator for Design Cultures
|
|
|
Detached |
2018 |
Traub, Friederike et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Kiwicha - Song |
2025 |
Mensch, Julia; Viola, Sofía
|
Plant_Intelligence
|
|
|
Wickel. Dinge für den geistigen Gebrauch |
1985-1995 |
Grau, Pascale
|
Konvolute
|
|
|
Mother Matrix |
2003 |
Streiff, Barbara et al.
|
Revolving Histories
World Exhibition for Freedom
|
|
|
2011-06-19 |
VestAndPage
|
PPP-ProgrPerformancePlattform
|
|
|
|
Post Virtuel Internet |
2017 |
Popp, Lukas
|
HyperWerk
|
|
|
CADArt |
2008 |
Buehlmann, Boris
|
HyperWerk
|
|
|
Wie wir lernen das Unkraut zu lieben |
2019 |
Vockroth, Viviane
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Ankündigung ACT 2003 (Namen, Daten, Einleitung) |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
|
Enjoy your life - Tatöwieren und (Anti-)Kapitalismus |
2023 |
Bosatta, Michelle
|
HyperWerk
|