| Titel | Jahr | author | Event |
|---|---|---|---|
Cybernarcisse |
2010 |
Semoroz, Julie
|
Head, jury bachelor middle season 2009-2010
|
FahrAwaY - Drüll |
2020 |
Wey, Nina; Weyeneth, Donath; Weyeneth, Solvejg; Steinemann, Valentin; Weill, Ezra; Kobi, Beni
|
|
FahrAwaY - Ballett |
2021 |
Wey, Nina; Weyeneth, Donath; Weyeneth, Solvejg; Steinemann, Valentin; Van Brakel, Liza; Lombardi, Luca; Keller, Lukas
|
|
Wellen |
1996 |
Schuppe, Marianne; Schürch, Dorothea
|
Rümlingen, Neue Musik.Theater.Installation
|
ohne Titel |
2000 |
Schuppe, Marianne; Schürch, Dorothea
|
ignm Basel
|
HitStories - Lara Dâmaso — Exercice in random laments |
2021 |
Dâmaso, Lara
|
|
HItStories - Maïté Chénière & Anna Tje — Codes to keep burning |
2021 |
Tje, Anna; Chénière, Maïté
|
|
HitStories - Davide-Christelle Sanvee — L’approbation des chienx |
2021 |
Sanvee, Davide-Christelle
|
|
HitStories - Fatima Wegmann — Follow the white rabbit |
2021 |
Wegmann, Fatima
|
|
HitStories - Diane Rivoire & Johana Blanc — JE/TU (NOUS) |
2021 |
Rivoire, Diane; Blanc, Johana
|
|
HitStories - Juliette Gampert — Des algues pour racines |
2021 |
Gampert, Juliette
|
|
light and heavy in red |
2016 |
Lussi, Rochus
|
|
The Gathering und Performances |
2020 |
Hochuli, Gisela; Lipp, Dominik
|
PerFORM¡ Performance-Day 2020
|
Brief an Grossmutter |
2018 |
Künzler, Astrid
|
Tanzfestival Winterthur 2019 / Kunst im Depot Performance-Day 2019
|
Epilationsperformance |
2007, 2015, 2016 |
Hansemann, Svetlana
|
100 Jahre Frauen-Power 1916-2016 (2016) Kunst im Dolder Bad (2015)
|
Artist Trading Cards - a collaborative cultural performance |
since 1997 |
m.vänçi stirnemann; et al.
|
|
33 Miniaturen |
2013 |
Künzler, Astrid
|
Kirche kreativ
|
message salon Ankerstrasse 6 |
1996, 1997 |
Eppstein, Esther
|
|
message salon, Perla-Mode-Album |
2006-2013 |
Eppstein, Esther
|
|
Es hat ihn nicht gegeben, den Garten, solange ich ihn nicht gesehen habe |
2021 |
Schärer, Ines Marita
|
Imaginaziun
|
her harsh, high and deep voice: a polyphony |
2021 |
Dâmaso, Lara
|
Les Urbaines
|
Numero Ventitre |
2002 |
Furlan, Massimo
|
Les Urbaines
|
Carwash |
2014 |
Tun Tun, Melissa
|
Les Urbaines
|
Wrong Day |
2019 |
Garavaglia, Gabriele
|
Les Urbaines
|
Water Walks |
2009 |
Rochat, Anne
|
Les Urbaines
|
Marara Kelly Art Show: the most performative gesture I can make is to believe |
2021 |
Yamada, Mayara
|
Les Urbaines
|
her harsh high and deep voice - a polyphony |
2021 |
Dâmaso, Lara
|
Les Urbaines
|
L’Homme trolley-bus |
2015 |
Marioni, Andrea
|
Les Urbaines
|
La mesure harmonique: La dislocation du soi son |
2015 |
Pillet, Guillaume
|
Les Urbaines
|
moving patterns III |
2021 |
Boss, Raffaela; Slattery, Yann
|
Les Urbaines
|
Complete Body |
2017 |
Feller, Tomislav [Contemporary Cruising]; Scheiwiller, Manuel [Contemporary Cruising]
|
ExtraBall, carte blanche Les Urbaines
|
Can’t say much about anything that’s new |
2017 |
[PRICE]
|
Extraball CCS, Paris - carte blanche Les Urbaines
|
A trio for a household |
2018 |
[SploachSploach]
|
Les Urbaines
|
KARABUKI |
2008 |
Iselin, Joa [Porte Rouge]; Ranzenhofer, Christoph [Porte Rouge]
|
Atelierhaus Huber
|
Nachbau, Verkohlung und Vergrabung einer verschollenen Collage von Hannah Höch in einer Zeitkapsel |
2018 |
Schicht, Martin G.
|
|
Reartefaktung Merzbau (Kurt Schwitters) |
2022 |
Schicht, Martin G.
|
|