| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Lemusa 06 Sud-Goulousin |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Experimente |
1999 |
GABI
|
Performance Chronik Basel
|
|
|
Rapperswil Bahnhofunterführung |
1999 |
GABI
|
Performance Chronik Basel
|
|
|
GABI |
1999 |
GABI et al.
|
Performance Chronik Basel
|
|
wecook |
2010 |
Scott, Christopher
|
HyperWerk
|
|
|
Stitching Interconnectedness |
2018 |
Ruesch, Jennifer
|
HyperWerk
|
|
|
Currents |
2011 |
Kneubühler, Thomas
|
Videocity_memoriav
|
|
|
inputout series |
2009 |
Spence, Dylan
|
HyperWerk
|
|
|
pressen Ti amo |
2015 |
Tanner, Amina
|
HyperWerk
|
|
|
Megazin 1: Saga |
2023 |
Regn, Chris
|
e-Publications
|
|
|
Vierfüsser / Animal Walk |
1995 (auch 1992 und 1993 in ähnlicher Form aufgeführt) |
Fuchs-Jacques, Esther et al.
|
Revolving Histories
Auswärts
|
|
|
Man zählt und schliesst es nicht im Kasten ein |
02.11.2018 |
Siegfried, Walter
|
Archive des Ephemeren
|
|
|
Hidden/Hide: The Future of Leather in Luxury Accessory Design |
2021 |
Streeter, Mary et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Interview mit Terry Fox |
1986 |
Fox, Terry; Dercon, Chris
|
Videowochen im Wenkenpark
|
|
|
Flip Over |
2011-06-19 |
Chramosta, Martin
|
PPP-ProgrPerformancePlattform
|
|
|
Option B – Wege in die berufliche Praxis |
Jäggi, Benedikt
|
Incubator for Design Cultures
|
|
|
|
Kollektives Erinnern als widerständige Praxis für Gestaltung alternativer Zukünfte. |
2026 |
Niederhauser, Nils
|
HyperWerk
|
|
|
Catalogue Déraisonné: The Archive is present - oder Lob der Lücke |
2023 |
AGFU, Agentur für Unabkömmlichkeitsbegründungen
|
Werke
|
|
|
Stories for industrial design: A close reading of a corded portable electric drill |
2021 |
Pandolfo, Berto
|
Memory Full
|
|
|
Transformations of Instrumental Sonority exemplified by the Early Italian Viol - Symposium 2013 |
2013 |
Frühe Streichinstrumente um 1500
|
|
|
|
Borrachero Thinking |
2025 |
Castelblanco, Felipe et al.
|
Plant_Intelligence
|
|
|
Recycling Fiction - Produktdesign-Zukunft in einer spekulativen Recycling-Welt Vom Müll zum Wertstoff |
2017 |
Thewes, Mikko et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Technologies between Sun and Soil |
2024 |
Volkart, Yvonne
|
Plant_Intelligence
|
|
|
Verborgenes Fliessen Bewusstsein schaffen für die Birsig im Basler Stadtraum |
2026-05-13 |
Dietz, Binia et al.
|
In3
|
|
|
POPULARISING GENDERLESS CLOTHING in SOCIETY TODAY - Freedom of dressing |
2018 |
Loekito, Jacqueline
|
Institut Integrative Gestaltung / Masterstudio
|
|
Cortecce |
2021 |
Frauchiger, Katrin et al.
|
Revolving Histories
Ouvertüren HSLU 2020
|
|
Waiting for.. |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
Schirme über dem Himmel
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
Semesterplan 2022-2025 |
2025 |
Meyer, Marianna Helen et al.
|
Incubator for Design Cultures
|
|
|
Identeco |
2018 |
Waeber, Tosca Aimée
|
HyperWerk
|
|
myFunerals #1-3 |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
Masterclass 2013
|
|
|
Rukku Just read version (betwixt and between) |
2025-12-11 |
Team peripher_ies
|
Peripher_ies
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|