| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
HOMECOMING. Multiplicity, Mobility and Composition: Embracing the attributes of Ubuntu on a journey of rediscovery through cultural heritage and cultural comprehension in design |
2019 |
Blaser, Chioma Adeyemi
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Socialising |
2020-05-14 |
Pavlovic, Kristina
|
ACT Performance Festival
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|
|
|
Briefing Postcards from Switzerland |
2021 |
Ernst, Meret et al.
|
Memory Full
|
|
|
ARCHIVES&BEYOND in Realtalk: Inpersonation Game |
2024-05-23 |
Dachverband freie darstellende Künste Hamburg et al.
|
ARCHIVES & BEYOND
|
|
|
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
|
Wer ist sauber genug für die Stadt? Wasser, Würde und öffentliche Hygiene-Infrastruktur im Alltag obdachloser Frauen in Basel |
2026-05-13 |
Hollenweger, Mara et al.
|
In3
|
|
|
Interview mit Dara Birnbaum |
1986 |
Dercon, Chris; Birnbaum, Dara
|
Videowochen im Wenkenpark
|
|
|
Interview mit Bruce Nauman |
1986 |
Nauman, Bruce; Dercon, Chris
|
Videowochen im Wenkenpark
|
|
|
Corporate Design 2013 |
2013 |
Dillier, Thomas
|
Videocity_memoriav
|
|
|
Sustainable interiors for families |
2021 |
Ruiz Cozcolluela, María et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Der Blick über Kopf Pfützen als szenografisches Element zur Selbstwahrnehmung in therapeutischer Umgebung |
2026-05-13 |
Meyer, Sophie et al.
|
In3
|
|
|
Fairytale |
2008 |
Albert, Judith
|
Videocity_memoriav
|
|
|
ACT Basel |
2018 |
Ritzmann, Marion et al.
|
Archive des Ephemeren
|
|
|
Decolonisation, the History of Design, and the Designs of History |
2021 |
Ansari, Ahmed
|
Memory Full
|
|
Kiwicha - LP |
2025 |
Mensch, Julia; Viola, Sofía
|
Plant_Intelligence
|
|
|
Get Shot |
2013 |
Pfammatter, Diana
|
HyperWerk
|
|
|
Feedback |
2011-04-20 |
Varela, Carlos
|
ACT Performance Festival
|
|
|
Kiwicha - Song video |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Flüchtlinge und Grenzen |
2020-05-07, 20:00 |
Colemêrg, Azad et al.
|
ACT Performance Festival
|
|
|
Schau mal |
2020-04-28, 19:00 |
Bruder, Elisa
|
ACT Performance Festival
|
|
|
Cross your fears crossroad of fears Crown your fear |
2020-04-17, 19:00 |
Torné, Maelle et al.
|
ACT Performance Festival
|
|
|
Images of motherhood |
2020-04-17, 20:00 |
Torné, Maelle
|
ACT Performance Festival
|
|
scents of kitchen |
Bern 9.9.2012 / Frauenfeld 17.11.2003 |
Bottini, Max et al.
|
Revolving Histories
European Sensorik Meeting (Bern) / Thurgauische Kulturstiftung (Frauenfeld)
|
|
Blüten |
2007 |
Treyer, Elda; Treyer, Elda
|
Revolving Histories
|
|
Am Rand von EuropaCity |
2022 |
Lengerer, Achim et al.
|
e-Publications
|
|
|
“People are happy here“ - Die LaiLai Dance Hall, Gay circle und Postkolonialität |
2011 |
Romano, Angelo
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
We Layer, We Connect, We Multiply |
Wappler, Tabea
|
HyperWerk
|
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
|
Wild&Artig |
2012 |
Jaeger, Ronny
|
HyperWerk
|
|
|
ACT BASEL |
2019 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
Playful learning Korean letters are so much fun |
2024 |
Seo, Julie Jihee
|
HyperWerk
|
|
Kiwicha - Song |
2025 |
Mensch, Julia; Viola, Sofía
|
Plant_Intelligence
|
|
|
Pallasades Revisited |
2012 |
Streuli, Beat
|
Videocity_memoriav
|