| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
ALEPPO |
2017-04-11 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
ALEPPO |
2017-04-22 |
Ipek, Füsun
|
ACT Performance Festival
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
|
peripher_ies |
2020-02-23 |
Team peripher_ies
|
Peripher_ies
|
|
|
Untitled |
2020-05-15, 20:00 |
Suter, Elisabeth
|
ACT Performance Festival
|
|
|
From the series “Cleaning service” |
2020-05-11, 20:00 |
Falcón, Talía et al.
|
ACT Performance Festival
|
|
|
'hands' |
1998, 2000 |
Wirth, Ursi et al.
|
Revolving Histories
|
|
TREMOLO |
2005 |
Stöcklin, Angela et al.
|
Revolving Histories
Le look c'est chic
|
|
|
Velo + Sand |
2020 |
Patrick Leppert et al.
|
Revolving Histories
|
|
|
Tutorial |
2020-04-20 |
Schiatarella, Alessandro
|
ACT Performance Festival
|
|
|
Falling in lauch |
2020-05-11 |
Stucki, Fabienne
|
ACT Performance Festival
|
|
|
Colorado |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Fachbeirat / Jury 2014 |
2014 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 |
Weinmayr, Eva
|
e-Publications
|
|
|
Gesammelte Feedback |
2010-04-24 |
Varela, Carlos
|
ACT Performance Festival
|
|
|
Projekt "Mobile Barock-Bühne" (MBB) |
2025 |
Papiro, Martina et al.
|
Incubator for Design Cultures
|
|
|
WER NUTZT SPACE? - EINE GESTALTERISCHE AUSEINANDERSETZUNG ZUR NUTZUNG VON STADTRÄUMEN |
2022 |
Geyer, Rebecca
|
HyperWerk
|
|
|
WER NUTZT SPACE? - EINE GESTALTERISCHE AUSEINANDERSETZUNG ZUR NUTZUNG VON STADTRÄUMEN |
2022 |
Geyer, Rebecca
|
HyperWerk
|
|
-logy |
2011 |
Gageos, Vanessa
|
Revolving Histories
Noch Normal?
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
Feministische Stimmen zur Wikipedia: Who writes his_story? |
2026 |
Brugger, Daniela; Regn, Chris
|
e-Publications
|
|
|
Video Poem (Fujisan Reflected) |
1998 |
Spielhofer, Hildegard
|
Videocity_memoriav
|
|
Zeig mir Deinen Koffer |
2021 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
Untitled |
2016 |
Sarasin, Rahel
|
Summe2017
|
|
|
Affecting Bubbles |
2024 |
Neuenschwander, Jan
|
HyperWerk
|
|
|
Vom sauberen Gut zur stillen Gefahr Szenografie für ein kollektives Erinnerungssystem gegen die Ausbreitung der Tigermücke |
2026-05-13 |
Dinh, Sarah et al.
|
In3
|
|
|
Keynote 4: Alfredo Gutiérrez Borrero, Universidad Jorge Tadeo Lozano, Bogotá and closing ceremony |
Sept 4, 2021 |
Gutierrez Borrero, Alfredo et al.
|
Memory Full
|
|
|
Collective body |
2020-05-15, 19:00 |
Borgunska, Mercedes et al.
|
ACT Performance Festival
|
|
|
Weshalb ich meinen Namen geändert habe |
2020-04-28, 20:00 |
Asan, Mustafa
|
ACT Performance Festival
|
|
|
Looking at each other for five minutes |
2020-04-18, 19:00 |
Könz, Fiona; Vogel, Gregor
|
ACT Performance Festival
|
|
|
Jeune-Femme-CH |
1981-1982 |
Winteler, Anna
|
Revolving Histories
|
|
Es geht uns blendend |
2013 |
Sidler, Celia et al.
|
Revolving Histories
Experimenta 13, Natur Stadt Kunst
|
|
|
HOMECOMING. Multiplicity, Mobility and Composition: Embracing the attributes of Ubuntu on a journey of rediscovery through cultural heritage and cultural comprehension in design |
2019 |
Blaser, Chioma Adeyemi
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Socialising |
2020-05-14 |
Pavlovic, Kristina
|
ACT Performance Festival
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|