| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Transformative Gerechtigkeit Üben |
2026 |
Burckhardt, Jan et al.
|
HyperWerk
|
|
|
DORFGEIST Filmmaking as a negotiation of belonging amid the resettlement of Brienz/Brinzauls |
2026 |
Holtz, Livni
|
HyperWerk
|
|
|
Wasting Time |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
#Confinamiento. Phase 2
|
|
|
Gönn Dir! |
2020 |
Plattner, Sophie
|
HyperWerk
|
|
|
I'm not there. The challenges in implementing 3D design in fashion practice - a prospective study with knitwear |
2021 |
Albrecht, Annika et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
L'ID CULTEUR |
2014 |
Zussy, Sarah
|
HyperWerk
|
|
|
era ieri |
2007 |
Romani, Chantal
|
Videocity_memoriav
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
Feedback |
2012-04-05 |
Conidi, Alessia
|
ACT Performance Festival
|
|
|
Kunstpanorama. Übungen in Performance |
2005-04-11 |
Oberholzer, Niklaus
|
ACT Performance Festival
|
|
Library Underground – A reading list for a coming community |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Lemusa 03 Centre-Sentom |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Mission Kaki Titelei |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Häutungen / Schatten |
1986-1992 |
Gschwend, Nesa et al.
|
Revolving Histories
Die Performance habe ich etwa 300x gezeigt an Festivals in CH, D, A, I, FL
|
|
|
Hand und Fuss |
2019 |
Seeger, Nadine et al.
|
Revolving Histories
Summe -∑, 5 Jähriges Jubiläum Auftakt
|
|
Traversée |
2004 |
Marussich, Yann et al.
|
Revolving Histories
|
|
|
Gibraltar |
2013 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|
|
Perros De Colores |
2019 |
Goessi, Markus et al.
|
Revolving Histories
!EXTRA! Festival International De Performance
|
|
Gorilla Woman und Frauen*streik Warm Up |
2019 |
Maag, Irene et al.
|
Revolving Histories
Performances zum Manifest des Frauen*Streiks
|
|
Andauernd |
1989 |
Hurley, Eva; Klassen, Norbert
|
Revolving Histories
STOP.P.T
|
|
Pagana |
2021 |
Lascano, Maja et al.
|
Revolving Histories
Die Raum
|
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
|
Becoming an audio signal |
2020-05-07 |
Slattery, Yana
|
ACT Performance Festival
|
|
|
farewell - live performance with virtual background |
2020-05-13 |
Mihajlovic, Milena et al.
|
ACT Performance Festival
|
|
@ongoing_pieces |
2017 |
Chapuis Schmitz, Delphine et al.
|
Revolving Histories
Performing Knowledge
|
|
Scalable Skeletal Escalator (open rehearsal) |
2020 |
Lewis, Isabel [The Field] et al.
|
Revolving Histories
Zurich Art Weekend
|
|
|
Program ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Perform Perform |
2018 |
d'Avigneau, Léa Marie et al.
|
Archive des Ephemeren
|
|
|
The Mechanism and Its Conditions: Durability as Relational Practice |
2026 |
Klauss, Valentin
|
HyperWerk
|
|
Auftritt für zwei Schlagzeuge |
1996 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
|
Colorado |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 |
Weinmayr, Eva
|
e-Publications
|
|
|
Projekt "Mobile Barock-Bühne" (MBB) |
2025 |
Papiro, Martina et al.
|
Incubator for Design Cultures
|
|
Julchen |
2004 |
Gerosa, Gabriella
|
Videocity_memoriav
|
|
|
Gewöhnliche Räume, ungewöhnliche Wege |
2014 |
Künzler, Daniel; Menge, Roman
|
Videocity_memoriav
|
|
|
Vom sauberen Gut zur stillen Gefahr Szenografie für ein kollektives Erinnerungssystem gegen die Ausbreitung der Tigermücke |
2026-05-13 |
Dinh, Sarah et al.
|
In3
|