| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Miss wired & Moss wild |
2018 |
Massol, Guillaume et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
ENJOY #2 |
2018 |
Schoch, Steven et al.
|
Revolving Histories
|
|
|
Zürich 2.0 |
2015 |
Koy, Dirk
|
Summe2017
|
|
|
2. Projektbeschreibung Stand 1. Workshop |
2020-04-09 |
Team peripher_ies
|
Peripher_ies
|
|
|
Feedback |
2012-04-05 |
Mallon, Erin
|
ACT Performance Festival
|
|
|
Authentisch |
2018 |
Riggenbach, Fanny
|
HyperWerk
|
|
vesuv |
2015 |
Schenker, Katja et al.
|
Revolving Histories
Performance Preis Schweiz
|
|
|
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 |
Narby, Jeremy et al.
|
Plant_Intelligence
|
|
|
Design-orientiertes Lernen für das 21. Jahrhundert. Grundlagen und Entwurd für eine Weiterbildung von Lehrpersonen an Berufsfachschulen |
2021 |
Ledergerber, Beatrice et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
Life Like Designing Emotional Products Via Physical Interactions |
2017 |
Görcin, Gizem et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Joulia |
2010 |
Schmid, Reto
|
Institut Integrative Gestaltung / Masterstudio
|
|
Erde |
2014 |
Treyer, Elda
|
Revolving Histories
migma
|
|
|
hereish and nowish |
2017 |
Knobel, Stefanie et al.
|
Revolving Histories
Eine Ausstellung für Dich/ An Exhibition for You
|
|
|
Santa Lucrezia |
2015 |
[Herpes ö Deluxe] et al.
|
Revolving Histories
Jolt Festival Basel 2012.
|
|
|
Tankstell*Inne Wie Achtsamkeit gegenüber dem eigenen Konsum entstehen und gefördert werden kann. |
2026 |
Lorenz, Livia
|
HyperWerk
|
|
|
SIE BEFINDEN SICH HIER / Ende der Vorstellung |
2006, 2004 |
Andereggen, Ariane et al.
|
Revolving Histories
|
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
wartehaus mit vogelgezwitscher |
2018-04-14 |
Schennach, Svenja et al.
|
ACT Performance Festival
|
|
|
Transformative Gerechtigkeit Üben |
2026 |
Burckhardt, Jan et al.
|
HyperWerk
|
|
|
DORFGEIST Filmmaking as a negotiation of belonging amid the resettlement of Brienz/Brinzauls |
2026 |
Holtz, Livni
|
HyperWerk
|
|
|
Wasting Time |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
#Confinamiento. Phase 2
|
|
|
Gönn Dir! |
2020 |
Plattner, Sophie
|
HyperWerk
|
|
|
I'm not there. The challenges in implementing 3D design in fashion practice - a prospective study with knitwear |
2021 |
Albrecht, Annika et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
L'ID CULTEUR |
2014 |
Zussy, Sarah
|
HyperWerk
|
|
|
era ieri |
2007 |
Romani, Chantal
|
Videocity_memoriav
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
Feedback |
2012-04-05 |
Conidi, Alessia
|
ACT Performance Festival
|
|
|
Kunstpanorama. Übungen in Performance |
2005-04-11 |
Oberholzer, Niklaus
|
ACT Performance Festival
|
|
Library Underground – A reading list for a coming community |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Lemusa 03 Centre-Sentom |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Mission Kaki Titelei |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Häutungen / Schatten |
1986-1992 |
Gschwend, Nesa et al.
|
Revolving Histories
Die Performance habe ich etwa 300x gezeigt an Festivals in CH, D, A, I, FL
|
|
|
Hand und Fuss |
2019 |
Seeger, Nadine et al.
|
Revolving Histories
Summe -∑, 5 Jähriges Jubiläum Auftakt
|
|
Traversée |
2004 |
Marussich, Yann et al.
|
Revolving Histories
|
|
|
Gibraltar |
2013 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|