| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
BODIY |
2019 |
Orlowska, Ernestyna et al.
|
Revolving Histories
Oh Body Festival Bern
|
|
|
ESCALE |
2019 |
Limat, Marinka et al.
|
Revolving Histories
Gewinnerbeitrag Kunstplätze Stadtteil 2, Stadt Bern
|
|
|
Taxifahrt |
2018 |
Limat, Marinka et al.
|
Revolving Histories
Wettbewerb Kunstplätze Stadtteil 2
|
|
Dusty Chewing Gum From Heaven |
2019 |
Orlowska, Ernestyna et al.
|
Revolving Histories
|
|
|
Perforum |
1996 |
Reber, Mike et al.
|
Revolving Histories
Perforum
|
|
Breath |
2009 |
Edens, Saskia et al.
|
Revolving Histories
Art of Encountering Kunst der Begegnung
|
|
|
feed back and forth. life is strange: mor to follow! |
1991-1999 |
Amrein, David et al.
|
Revolving Histories
|
|
bubble |
2016 |
Lussi, Rochus et al.
|
Revolving Histories
anlässlich der Vernissage on and on Rochus Lussi (Wandzeichnung)
|
|
emotions |
2021 |
Lussi, Rochus et al.
|
Revolving Histories
International Performance Art Giswil
|
|
on and on |
2019 |
Lussi, Rochus et al.
|
Revolving Histories
AKKU Emmenbrücke
|
|
self portrait |
2016 |
Lussi, Rochus et al.
|
Revolving Histories
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco et al.
|
Revolving Histories
Liminoid
|
|
light and heavy in red |
2016 |
Lussi, Rochus et al.
|
Revolving Histories
|
|
|
Gottlieber Revue |
2014 |
Mathis, Muda et al.
|
Revolving Histories
Der Hecht an der Grenze
|
|
|
feed back and forth |
1991 |
Austen, Yvonne et al.
|
Revolving Histories
|
|
|
Das parasitäre Prinzip. Ein Schnipselvortrag |
2005 |
Petrini, Daniela [data | Auftrag für parasitäre* Gastarbeit] et al.
|
Revolving Histories
PARASITuatION
|
|
TINGEL TANGEL |
2011 |
Odermatt, Corinne et al.
|
Revolving Histories
Tingel Tangel
|
|
Post-Show Talk |
2019 |
[The Field] et al.
|
Revolving Histories
|
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
Der Tisch aus meinem Kopf |
4. 9. 1999 |
Hensler, Markus et al.
|
Revolving Histories
Killing Me Softly
|
|
|
A Swiss Study Room Guide |
2020 |
Saemann, Andrea et al.
|
Revolving Histories
|
|
LIEBLINGSSTÜCKE |
2021 |
Schneiter, David et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
ORACLIZED. Investigating the human factor at the nexus of the analog and the digital realm |
2019 |
Meier, Moritz et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Help! David Cameron likes my art |
2018 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
THE BOX |
Camara, Moussa David et al.
|
Next Generation
|
|
|
|
I'm wearing AI |
To, David et al.
|
Next Generation
|
|
|
|
TASTE THE SPACE |
Koppenhöfer, Valentine et al.
|
Next Generation
|
|
|
|
Zwischen Bühne und System |
Salazar David, Renê
|
Next Generation
|
|
|
|
Four Khrushchevka Studies |
Kurzmeyer, Roman et al.
|
Next Generation
|
|
|
|
In Luftigen Höhen |
Meienberg, David Fabian
|
Erinnerungsraum
|
|
|
|
Synapse |
Mürner, Andres David
|
Erinnerungsraum
|
|
|
|
Three Apples Apple Tereza Maya; Self-Portrait, Art Basel; Day job Tereza, Kunsthaus; Day job Tereza, Kunsthaus; Day job; Evacuation kit |
Meliksetian, David
|
Next Generation
|
|
|
|
Womb |
Camara, Moussa David
|
Erinnerungsraum
|