| Titel | Jahr | author | Event |
|---|---|---|---|
"We are all failures-at least the best of us are." J. M. Barrie |
2019 | ||
Dream of Zanzibar |
1985 |
Hahn, Alexander
|
1985 International Video Festival, Locarno
|
4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections |
1993 | ||
Problems of authenticity in sixteenth-century Italian viols and the Brussels collection |
2002 | ||
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
|
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra
|
|
Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s |
2021 | ||
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 | ||
Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth |
2025 | ||
Gramatik der Räume |
2021 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine; Loosli, Ruth; Vogel, Fritz Franz; Bourquin, Irene; Grüter, Peter; Muhl, Joshua; Ashinze, Eva; Garcia, Miguel
|
|
scents of kitchen |
Bern 9.9.2012 / Frauenfeld 17.11.2003 |
Bottini, Max
|
European Sensorik Meeting (Bern) / Thurgauische Kulturstiftung (Frauenfeld)
|
Wortkörper |
2005 |
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 | ||
The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 | ||
Sinnflut |
2011 |
Hausheer, Angela [Kollabor]; Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]; Maag, Irene [Kollabor]; Rohner, Isabel [Kollabor]
|
|
FRONTIERS OF UTOPIA |
1995 |
Scott, Jill
|
Multimediale
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
Strategies of Seed |
2018 |
Edens, Saskia
|
residency Artic Action
|
Dokumentation zu "in utero (unbearable lightness_The Trivial Pursuit of Happiness)" von Barbara Naegelin |
2013 | ||
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 | ||
Performance-Reihe |
2017 |
Guggenheim, Gilgi
|
Performance Open Air
|
Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) |
2020 | ||
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 | ||
Freundeskreis |
2014 |
Pfister, Nara
|
|
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
Algorithms of Partiality |
2017 |
Parkonnen, Hedda; Weissenfels, Anna; Streit, Eva; Stein, Milena; Utz, Pascal
|
|
The Absence of Work |
2012 |
Bajo, Elena
|
Liste 17 – Performance Project
|
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 | ||
Shifts in Mapping - Design through Graduation: Notes on the Establishment of Reality by Scale |
2021 |
Bureau d'études
|
|
Out of classroom in Stolpe, Germany – Body molds from workshop with sci-fi artist Esmay Wagemans |
2019 | ||
Art of Seeking |
2019 |
coARTex Event
|
|
Prozession der Nackten |
2014 |
au joli mois du mai
|
|
Jäger von Zoest |
2012 |
Natsch, Yolanda Esthersther Esther; König, Lysann
|
Liste 17 - The Young Art Fair in Basel,11. - 17. Juni 2012
|
Disembodied Sound of Silence (von Orten die es nicht gibt und Dingen die wir nicht verstehen) |
2014 |
Brugger, Daniela
|
|
Circus of the Soul |
2021 |
Nilo, Dawn
|
For the exhibition: Dawn Nilo: Blueprints
|