| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
A queer cross-reading of Zürich’s performance movements: from their assumed, speculated and negotiated beginnings until ca. 2021 |
2025 |
Rust, Dorothea
|
Revolving Histories
|
|
Remember What We Forgot – A High-Pressure Lullaby |
2025-05-17 |
Collective Heartbreak
|
ACT Performance Festival
|
|
Erde |
2014 |
Treyer, Elda
|
Revolving Histories
migma
|
|
|
hereish and nowish |
2017 |
Knobel, Stefanie et al.
|
Revolving Histories
Eine Ausstellung für Dich/ An Exhibition for You
|
|
|
Santa Lucrezia |
2015 |
[Herpes ö Deluxe] et al.
|
Revolving Histories
Jolt Festival Basel 2012.
|
|
|
Joulia |
2010 |
Schmid, Reto
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Life Like Designing Emotional Products Via Physical Interactions |
2017 |
Görcin, Gizem et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Chorpraxis als Forschungsfeld für Methoden der Zusammenarbeit |
2026 |
Catti, Fiammina
|
HyperWerk
|
|
Mutual matters: Goldrausch 2021 |
2021 |
Bévand, Katharina ca 20 Jh et al.
|
e-Publications
|
|
|
Gönn Dir! |
2020 |
Plattner, Sophie
|
HyperWerk
|
|
|
SIE BEFINDEN SICH HIER / Ende der Vorstellung |
2006, 2004 |
Andereggen, Ariane et al.
|
Revolving Histories
|
|
|
L'ID CULTEUR |
2014 |
Zussy, Sarah
|
HyperWerk
|
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
wartehaus mit vogelgezwitscher |
2018-04-14 |
Schennach, Svenja et al.
|
ACT Performance Festival
|
|
|
DORFGEIST Filmmaking as a negotiation of belonging amid the resettlement of Brienz/Brinzauls |
2026 |
Holtz, Livni
|
HyperWerk
|
|
|
Wasting Time |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
#Confinamiento. Phase 2
|
|
|
Gefährt und Gefährt*innen |
2025 |
Pfenninger, Massimo
|
HyperWerk
|
|
|
era ieri |
2007 |
Romani, Chantal
|
Videocity_memoriav
|
|
|
Lemusa 01 Nord-Louvanie |
2025 |
Herzog, Samuel
|
Lemusa
|
|
Estrategias (Amaranthus hybridus) |
2025 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
I'm not there. The challenges in implementing 3D design in fashion practice - a prospective study with knitwear |
2021 |
Albrecht, Annika et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Kunstpanorama. Übungen in Performance |
2005-04-11 |
Oberholzer, Niklaus
|
ACT Performance Festival
|
|
Library Underground – A reading list for a coming community |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
Feedback |
2012-04-05 |
Conidi, Alessia
|
ACT Performance Festival
|
|
|
Häutungen / Schatten |
1986-1992 |
Gschwend, Nesa et al.
|
Revolving Histories
Die Performance habe ich etwa 300x gezeigt an Festivals in CH, D, A, I, FL
|
|
|
Hand und Fuss |
2019 |
Seeger, Nadine et al.
|
Revolving Histories
Summe -∑, 5 Jähriges Jubiläum Auftakt
|
|
Traversée |
2004 |
Marussich, Yann et al.
|
Revolving Histories
|
|
|
Gibraltar |
2013 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|
|
Perros De Colores |
2019 |
Goessi, Markus et al.
|
Revolving Histories
!EXTRA! Festival International De Performance
|
|
Gorilla Woman und Frauen*streik Warm Up |
2019 |
Maag, Irene et al.
|
Revolving Histories
Performances zum Manifest des Frauen*Streiks
|
|
Andauernd |
1989 |
Hurley, Eva; Klassen, Norbert
|
Revolving Histories
STOP.P.T
|
|
Pagana |
2021 |
Lascano, Maja et al.
|
Revolving Histories
Die Raum
|
|
|
Karmakri ABC der Gewürze |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Program ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Perform Perform |
2018 |
d'Avigneau, Léa Marie et al.
|
Archive des Ephemeren
|