| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Solo |
07.11.2020 |
Brzezinska, Katarzyna
|
6_2_Performance-Duos
|
|
|
Lovis befragt von Chris Regn |
15. August 2018 |
Regn, Chris; Lovis
|
Feministisches Improvisatorium
|
|
|
Eu não falo português |
07.11.2020 |
Barth, Claudia et al.
|
6_2_Performance-Duos
|
|
|
Tagebuch: REVISETED PERFORMANCE und ARCHIVES & BEYOND Eine Recherche und ein Experiment zur Weiterschreibung von Haussaegen von 1995 der Gruppe a.b. |
2025 |
Grau, Pascale
|
ARCHIVES & BEYOND
|
|
|
Freiheitsentziehungssache |
07.11.2020 |
Barth, Claudia
|
6_2_Performance-Duos
|
|
|
Zopf - A video document of a performance that never happend |
07.11.2020 |
Barth, Isabelle
|
6_2_Performance-Duos
|
|
|
11 me&me she and she // something about communication and how me became many |
07.11.2020 |
Stenz, Jasminka et al.
|
6_2_Performance-Duos
|
|
|
Alt bis sehr alt |
06.11.2020 |
Hurter, Regula; Urech, Uri
|
6_2_Performance-Duos
|
|
|
Nachklang und Solos |
07.11.2020 |
Klingler, Monica; Mark, Elke
|
6_2_Performance-Duos
|
|
|
Anita Fetz befragt von Katha Baur |
15. August 2018 |
Baur, Katha; Fetz, Anita
|
Feministisches Improvisatorium
|
|
|
Die Vogelfrage |
07.11.2020 |
Grimm, Claudia
|
6_2_Performance-Duos
|
|
Feminismus in Basel |
2018 |
Saemann, Andrea et al.
|
Feministisches Improvisatorium
|
|
|
Jung bis sehr jung |
06.11.2020 |
Hurter, Regula
|
6_2_Performance-Duos
|
|
|
Ingrid Rusterholtz befragt von Chris Regn |
20. August 2018 |
Regn, Chris et al.
|
Feministisches Improvisatorium
|
|
|
Line Boser & Lysann König befragen sich |
22. August 2018 |
Boser, Line; König, Lysann
|
Feministisches Improvisatorium
|
|
|
Reflexion 6x2 Performance Duos |
08.11.2020 |
Maag, Irene et al.
|
6_2_Performance-Duos
|
|
|
Katha Baur befragt von Anita Fetz |
15. August 2018 |
Fetz, Anita; Baur, Katha
|
Feministisches Improvisatorium
|
|
|
What now |
06.11.2020 |
Valterio, Joëlle et al.
|
6_2_Performance-Duos
|
|
|
enhanced by King Kong |
2001 |
Grau, Pascale
|
Performance Chronik Basel
|
|
Corporate Design 2019 |
2019 |
Dillier, Thomas
|
Videocity_memoriav
|
|
Corporate Design 2016 |
2016 |
Dillier, Thomas
|
Videocity_memoriav
|
|
Corporate Design 2017 |
2017 |
Dillier, Thomas
|
Videocity_memoriav
|
|
Corporate Design 2018 |
2018 |
Dillier, Thomas
|
Videocity_memoriav
|
|
|
Probensegmente Falster |
2025 |
Scherrer, Ursula
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Unglückshaus |
2025 |
Weismann, Steffi et al.
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Narrativ |
2025 |
Daphi, Dorothee
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Schattenspiel |
2025 |
Deborah, Fortes et al.
|
ARCHIVES & BEYOND
|
|
|
Programm / Ablauf Probewoche Falster |
2025 |
Grau, Pascale; Daphi, Dorothee
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Bird and House |
2025 |
Izquierdo, Lorena et al.
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Everything must change |
2025 |
Grau, Pascale et al.
|
ARCHIVES & BEYOND
|
|
|
Probensegment: In my Room |
2025 |
Grau, Pascale et al.
|
ARCHIVES & BEYOND
|
|
|
Probensegment: Tasse, Tornado, Solotanz |
2025 |
Stenz, Jasminka et al.
|
ARCHIVES & BEYOND
|
|
|
Die Ecurie von Versailles Primärquellen |
GrandeEcurie
|
||
|
|
Les fifres dans les compagnies entre 1660 et 1761 |
van Cornewal, Sarah
|
GrandeEcurie
|
|
|
|
Fifres - Sekundärliteratur |
GrandeEcurie
|
||
|
|
J.-B. Prin, Traité sur la trompette marine, 1742 |
Basel |
Hirsch, Thilo
|
GrandeEcurie
|