| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Brief an Yves |
2014 |
Maag, Irene et al.
|
Revolving Histories
performanceABEND #2 <eigenartig>
|
|
White Noise |
2016 |
Aeschbach, Urs et al.
|
Revolving Histories
Kunst am Ort der Bildung im Rahmen von Treff.Kultur der FHNW in Brugg-Windisch
|
|
Hulahula |
2006 |
Maag, Irene et al.
|
Revolving Histories
Labor – die Plattform für Performancekunst. Labor 17, Was tun wenn's brennt?
|
|
Forming Loving Relations To Found Goods |
2025 |
Bork, Ambre
|
HyperWerk
|
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 |
Bauer, René; Suter, Beat
|
Memory Full
|
|
|
Borrachero, „Teufelsatem“, Engelstrompete: Was möchte diese Pflanze von uns? |
2025 |
Castelblanco, Felipe et al.
|
Plant_Intelligence
|
|
|
Die Pause |
2016 |
Vilfroy, Philippe
|
HyperWerk
|
|
White Square |
2021 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
|
Kopf |
2012 |
Meyer, Alexandra
|
Revolving Histories
|
|
Ventricles |
2019 |
Buffard, Lara et al.
|
Revolving Histories
Eile mit Weile – Zeit für Performance
|
|
Gemüsebau |
2009 |
Belobrovaja, Marina et al.
|
Revolving Histories
|
|
SULK IV |
2021 |
Gawęda, Dorota et al.
|
Revolving Histories
Magazine (exhibition)
|
|
Fame e Fuoco |
2017 |
Frei, Lilian et al.
|
Revolving Histories
www.living-room-stadionbrache.ch zürich 2017
|
|
|
A kick in the teeth |
2019 |
Sunarjo, Benjamin et al.
|
Revolving Histories
|
|
Giesskanne |
2007 |
Treyer, Elda; Treyer, Elda
|
Revolving Histories
|
|
WIM Zug feat. Bucher, Claudia; (perf) |
2011 |
Bucher, Claudia [WIM Zug] et al.
|
Revolving Histories
Konzertreihe WIM Zug
|
|
|
Felskörper |
1988 |
Eckert, Judith et al.
|
Revolving Histories
|
|
|
Gramatik der Räume |
2021 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
Growing stones - a design approach to synthetic biology |
2018 |
Briod, Manon
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Masterthesis 2, 2010 |
2010 |
Masterstudio Design
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 |
McHugh, Christopher
|
Memory Full
|
|
|
Hörbar |
2020 |
[SoundTrieb] et al.
|
Revolving Histories
|
|
|
Technology and its social impact |
2019 |
Odriozola, Pablo
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
down |
2013 |
Palla, Ursula
|
Videocity_memoriav
|
|
Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) |
2020 |
Weinmayr, Eva
|
e-Publications
|
|
|
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 |
Meyer, Kathrin et al.
|
Plant_Intelligence
|
|
|
Wer ist sauber genug für die Stadt? Wasser, Würde und öffentliche Hygiene-Infrastruktur im Alltag obdachloser Frauen in Basel |
2026-05-13 |
Hollenweger, Mara et al.
|
In3
|
|
|
Institut für Prozessnotation und Konnektivitätsförderung |
2018 |
Nichele, Jano
|
HyperWerk
|
|
Überholspur |
2007 |
Vass, Mathias
|
Videocity_memoriav
|
|
|
Schwarm |
2015-04-11 |
Cueni, Nadine et al.
|
ACT Performance Festival
|
|
|
HELENE |
14.-15. August 2021 |
Huber, Judith et al.
|
Revolving Histories
©Progr Performance Plattform 2021
|
|
|
MTC/TMC Symposium Recording |
2024-06-20 |
Bedö, Viktor
|
SMUC
|
|
|
of the world |
2026 |
Ohnewein, Momo
|
HyperWerk
|
|
Detrás de la Noche [Behind the Night] |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Lemusa 03 Centre-Sentom |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Synagic |
2008 |
Krebs, Philippe
|
HyperWerk
|