| Titel | Jahr | author | Event |
|---|---|---|---|
out of place |
2007 |
Stäuble, Andreas; Lauber, Wolfgang
|
migma
|
Zoologie der Träume |
2019 |
Schmalz, René; Gombas, Gabriella
|
|
Transformations of Instrumental Sonority exemplified by the Early Italian Viol - Symposium 2013 |
2013 | ||
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 | ||
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 | ||
Oldies with goodies? New perspective of elder care in China and Switzerland |
2014 | ||
game of level |
2019 |
Schmalz, René; Gombas, Gabriella
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 | ||
Echo of Leaf and Body - BadLab collective |
2021 |
Ayala, Paloma [BadLab]; Biedlingmaier, Lisa [BadLab]; Franchette, Anne-Laure [BadLab], Mattner, Corinna [BadLab]; Minder, Maya [BadLab]
|
Open Source Body Festival
|
In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled |
2021 | ||
"We are all failures-at least the best of us are." J. M. Barrie |
2019 | ||
Dream of Zanzibar |
1985 |
Hahn, Alexander
|
1985 International Video Festival, Locarno
|
4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections |
1993 | ||
Problems of authenticity in sixteenth-century Italian viols and the Brussels collection |
2002 | ||
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
|
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra
|
|
Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s |
2021 | ||
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 | ||
Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth |
2025 | ||
Gramatik der Räume |
2021 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine; Loosli, Ruth; Vogel, Fritz Franz; Bourquin, Irene; Grüter, Peter; Muhl, Joshua; Ashinze, Eva; Garcia, Miguel
|
|
scents of kitchen |
Bern 9.9.2012 / Frauenfeld 17.11.2003 |
Bottini, Max
|
European Sensorik Meeting (Bern) / Thurgauische Kulturstiftung (Frauenfeld)
|
Wortkörper |
2005 |
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 | ||
The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 | ||
Sinnflut |
2011 |
Hausheer, Angela [Kollabor]; Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]; Maag, Irene [Kollabor]; Rohner, Isabel [Kollabor]
|
|
FRONTIERS OF UTOPIA |
1995 |
Scott, Jill
|
Multimediale
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
Strategies of Seed |
2018 |
Edens, Saskia
|
residency Artic Action
|
Dokumentation zu "in utero (unbearable lightness_The Trivial Pursuit of Happiness)" von Barbara Naegelin |
2013 | ||
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 | ||
Performance-Reihe |
2017 |
Guggenheim, Gilgi
|
Performance Open Air
|
Noun to Verb: an investigation into the micro-politics of publishing through artistic practice (PhD thesis) |
2020 | ||
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 | ||
Freundeskreis |
2014 |
Pfister, Nara
|
|
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |