| Titel | Jahr | author | Event |
|---|---|---|---|
Birgit Kempker liest aus "Ein ungeratener Sohn" von Renate Rasp |
2018 | ||
Alice Wilke liest aus "13" |
2018 | ||
Christa Ziegler liest aus "Zeichen, Laute, Metalle, Feuer: oder die Ökonomie ihrer Leser_innen" von Quinn Latimer |
2018 | ||
FOR SALE |
2021 |
Velazquez, Alicia
|
SICHTBAR? SICHTBAR? Performance Summer Special
|
Netto-Null-Walk |
2021 |
Lerjen, Marie-Anne
|
Critical Care. Architektur für einen Planeten in der Krise
|
Rendez-vous Voliere |
2018 |
Vogel, Andrea; Dörig, Beatrice
|
Performance Open Air
|
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 | ||
Ein Balztanz |
2018 |
Fabio Sonego
|
|
TearHead in Nashville |
2014 |
Staehli, Nina
|
-
|
BANG BANG: crissed crossed perfromance as a lecture as a performance as a lecture … |
2022 |
Rust, Dorothea
|
BANG BANG - translokale Performance Geschichte:n
|
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 | ||
regeneriert viel |
1996 |
Hollenstein, Marcel [HALLE K]; Steffen, Karl [HALLE K]; Stoll, Alexander
|
Künstleraustausch Eindhoven NL / Frauenfeld CH
|
Brief an Yves |
2014 |
Maag, Irene
|
performanceABEND #2 <eigenartig>
|
Margrit as a Clown |
1993, 1994, 1994 |
Schenker, Margrit
|
|
A contre courant |
2010 |
Edens, Saskia
|
Performance Preis Schweiz - Sicht auf das Original
|
Linda Cassens liest aus "Bottomless" von Linda Cassens Stoian |
2018 | ||
ARCHIVES&BEYOND in Realtalk: Inpersonation Game |
2024-05-23 |
Behrman, Ruby
|
|
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 | ||
SPAZIO A VOCE |
2014 |
Hildebrand, Hanna
|
ROAMING, RIPOSIZIONAMENTI
|
Mitoy as a hut |
2003 |
Pfister-Köfler, Hansjörg [Mirzlekid]
|
Projekt FUGE Thema 1, am Quartierfest Grünau
|
Der Kunstrundgang 04 |
2007-2010 |
Hofer, Susanne; Maag, Georgette; Niederhauser, Andreas
|
|
Nous partîmes 500 |
1984 |
Rosset, Anne; Pache, Raoul-Patrick
|
de la Bâtie
|
un tout petit peu |
2008 |
Grau, Pascale
|
Regionale 9, Münchner Kunstfilmfestival am Sommernacht: FilmFestival/ Transit Basel-Nairs 1/ Szenen aus dem Alltag
|
La Grand Bleu. A gentle and beautiful call for attention - Tender, empowering, simultaneous, sensitive, strong |
2021 | ||
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? |
2021 | ||
Utopie einer Sozialisation |
1994 |
[stoeckerselig]
|
Korrespondierende Gefässe
|
Streifenweise Selbstreflexion |
2021 |
Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]
|
PerFORM¡ Das kleine Performance Festival
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger]
|
|
Mother Matrix |
2003 |
Streiff, Barbara; Kälin, Bruno
|
World Exhibition for Freedom
|
Eine BALLade, ein Einfraustück rund um den Ball in fünf Bildern |
1988 |
|
|
sometimes quickly changed |
2019 |
Lussi, Rochus
|
|