| Titel | Jahr | author | Event |
|---|---|---|---|
The eloquent oboe, A history of the hautboy 1640-1760 |
2001 | ||
Money, the sound of trying to get what you need to live |
2020-07-03 | ||
Daniel Brugger liest aus "Dictionary of non-notable Artists" von Gregor Weichbrodt |
2018 | ||
Learning an Indian raga in Dorian mode. Video recording of a lesson |
2026 |
Zuckerman, Ken
|
|
Early bowed instruments around 1500, Part II (north of the Alps) |
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How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 | ||
Stepping Out Of The Frame - Repräsentation Von Schwarzen Menschen Im Film |
|||
Trace Of A Sound Nr. 2 |
2017 |
Diel, Bettina
|
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x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. |
2021 | ||
First times do not exist. Translating and citing as relational practices of (re)use |
2023-10 | ||
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 | ||
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
The question of responsibility. A designer's approach to sustainable guitar making |
2021 | ||
Stepping Out of the Frame. Repräsentation von Schwarzen Menschen im Film |
2021 | ||
Audiophobic waste of space & time: An unexplained journey into the present |
2016-04-23 |
Guldimann, Manuel; Benderscoot IV, William P. W.
|
|
Audiophobic waste of space & time: An unexplained journey into the present |
2016-04-23 |
Guldimann, Manuel; Benderscoot IV, William P. W.
|
|
Artist Talk: The Future of the Body: Zombies, Avatars und Cyborgs |
2002 | ||
Make/Sense Assembly 2025. Practice-based Forms of Reading and Writing |
2025 | ||
out of place |
2007 |
Stäuble, Andreas; Lauber, Wolfgang
|
migma
|
Zoologie der Träume |
2019 |
Schmalz, René; Gombas, Gabriella
|
|
Transformations of Instrumental Sonority exemplified by the Early Italian Viol - Symposium 2013 |
2013 | ||
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 | ||
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 | ||
Oldies with goodies? New perspective of elder care in China and Switzerland |
2014 | ||
game of level |
2019 |
Schmalz, René; Gombas, Gabriella
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 | ||
Echo of Leaf and Body - BadLab collective |
2021 |
Ayala, Paloma [BadLab]; Biedlingmaier, Lisa [BadLab]; Franchette, Anne-Laure [BadLab], Mattner, Corinna [BadLab]; Minder, Maya [BadLab]
|
Open Source Body Festival
|
In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled |
2021 | ||
"We are all failures-at least the best of us are." J. M. Barrie |
2019 | ||
Dream of Zanzibar |
1985 |
Hahn, Alexander
|
1985 International Video Festival, Locarno
|
4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections |
1993 | ||
Problems of authenticity in sixteenth-century Italian viols and the Brussels collection |
2002 | ||
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
|
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra
|
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Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s |
2021 |