| Titel | Jahr | author | Event |
|---|---|---|---|
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 | ||
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 | ||
Digital Fingerpaint |
2013/2017 |
De Pinto, Pier Giorgio
|
XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
|
Take your body for a walk (Score) |
2021 |
[The Field]; Gillette, Monica; [Tanzhaus Zürich]
|
Zürich Tanzt
|
Dokumentation zu "T A T O R T - Parkinglot" von Alex Silber |
2014 | ||
To m-other a plant: Špela Petričs Ästhetik nicht-menschlicher Für/Sorge |
2024 | ||
If you're empty you become a shell to someone else`s pearl |
2025-05-10 |
Widmer, Lea
|
|
Perception of Beauty. How does advertisement design enforce a norm through aesthetic of reception? |
2017 | ||
Learning an Indian raga in Dorian mode. Video recording of a lesson |
2026 |
Zuckerman, Ken
|
|
Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. |
2021 | ||
Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space |
2019 | ||
Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation |
2020 | ||
Ab Boden |
2015 |
Lerjen, Marie-Anne
|
Living Room
|
Im Gjätt |
2019 |
Caraco, Françoise; Germann, Monica; Hagmann, Sabine; Hofer, Susanne; Kalt, Tanja; Maag, Georgette; Michell, Regula; Müller, Irene; Rutishauser, Eliane; Spörri, Regula
|
Plateaux Festival - Werte schaffen
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 | ||
Konzept |
2023 | ||
sometimes I feel like a filter |
2018 |
Hari, Gregory
|
Sommerfenster – Repeat
|
work no. 245. a hand |
2014 |
[Lea & Adrian]
|
|
RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 | ||
If you`re empty you become a shell to someone else`s pearl |
2025-05-03 |
Widmer, Lea
|
|
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 | ||
THE SWIFT EROSION OF A CRATER THROUGH HUMAN INTERVENTION |
2020 |
Hahn, Alexander
|
|
A New Flow. The influence of Scenography on the perception and narration of public space |
2021 | ||
Tattered Queen |
2019 |
Séra, Hanga; Rokyta, Briant; Ohnoutka, Annemarie; Ruschka, Helga; Kellner, Renée
|
In Certo
|
Visiting Monika |
2019 |
Lascano, Maja
|
|
Une Histoire d'Amour |
2009 |
Rosset, Anne; Alexander, Robert
|
Stromereien 2009
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo
|
|
HOMMAGE À JT |
2016 |
Suter, Olivier; Hersche, Klaus; [Compagnie Pyro'Zié]
|
|
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|
|
The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in |
2018 | ||
(1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled |
2017 | ||
Birgit Kempker liest aus "Ein ungeratener Sohn" von Renate Rasp |
2018 | ||
Alice Wilke liest aus "13" |
2018 | ||
Christa Ziegler liest aus "Zeichen, Laute, Metalle, Feuer: oder die Ökonomie ihrer Leser_innen" von Quinn Latimer |
2018 | ||
FOR SALE |
2021 |
Velazquez, Alicia
|
SICHTBAR? SICHTBAR? Performance Summer Special
|
Netto-Null-Walk |
2021 |
Lerjen, Marie-Anne
|
Critical Care. Architektur für einen Planeten in der Krise
|