| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Archivprozesse. Über Logiken des Sammelns und die Medialität von Artefakten eines Performance-Archivs |
02.11.2018 |
Büscher, Barbara
|
Archive des Ephemeren
|
|
|
The new form of the theatre and possible scenarios of the theatre development after the Coronavirus pandemic |
2021 |
Ballek, Valeriia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Chewing Gum |
2021 |
Müller, Anina et al.
|
Revolving Histories
Regionale 21
|
|
-lalia |
2021 |
Gawęda, Dorota et al.
|
Revolving Histories
Swiss Performance Award 2021
|
|
|
liquid - candy |
2006 |
Widauer, Nives
|
Videocity_memoriav
|
|
|
Naked Ufo |
2009 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
AFTERTASTE: PERFORMING THE MOLECULAR ORCHESTRA |
2021 |
Scott, Jill et al.
|
Revolving Histories
Air_Waste_Health_Water_Energy_Soil
|
|
|
Sensory Onslaught Perception of Beauty |
2017 |
Dubois Bandyopadhyay, Debolina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Beautiful City # 004, progr CITY |
2004 |
Huwiler, Bernhard; David Aebi
|
Revolving Histories
Die 120. Berner Weihnachtsausstellung
|
|
|
deposit mourning, walk #4 |
2015 |
Luedi, Juerg et al.
|
Revolving Histories
Arte Laguna Prize, 21.3. - 5.4.15
|
|
|
It’s All Downhill from Here On |
2012 |
Gilissen, Filip et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
|
DER LÄNGSTE TAG / THE LONGEST DAY 2014 |
2014 |
siehe 'weitere Informationen' et al.
|
Revolving Histories
DER LÄNGSTE TAG / THE LONGEST DAY 2014 – 16 Stunden nonstop Performances unter freiem Himmel
|
|
|
Interview with Federica Martini |
2019-08-21 |
Martini, Federica et al.
|
Perf en Bref
|
|
Besuch der Ausstellung |
02.11.2018 |
Maly, Valerian
|
Archive des Ephemeren
|
|
|
Anmoderation Denkpool II: Policies in Gedächtnis- und Kunstinstitutionen |
02.11.2018 |
Grau, Pascale
|
Archive des Ephemeren
|
|
|
DINO |
2004 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
Saalplan Ausstellung KASKO |
2025-08 |
Daphi, Dorothee
|
ARCHIVES & BEYOND
|
|
|
Energie Kommunikation |
2009 |
Lemke, Henning
|
HyperWerk
|
|
|
LUCKY GLITCHING – EXPLORING ERROR AS ARTISTIC PRACTICE |
2025 |
Bühler, Eva Katherina
|
Incubator for Design Cultures
|
|
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Tonhühner |
1994 |
Bottini, Max et al.
|
Revolving Histories
|
|
|
Kooperieren, konspirieren, paktieren – mit Pflanzen |
2025 |
Volkart, Yvonne
|
Plant_Intelligence
|
|
|
Rückblick Workshop I |
2024 |
Daphi, Dorothee
|
ARCHIVES & BEYOND
|
|
|
Soundlab |
2025 |
Esengo Ndoum, Jérémy
|
HyperWerk
|
|
|
ADVA (accessible digital visual agency) EN |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
|
ACT Basel Eingaben |
2018 |
ACT Performance Festival
|
|
|
|
Katalysatoren des Wandels Szenografische Strategien des Basler Ecological Turns ausgehend von der Chemiekatastrophe vom 1. November 1986 |
2026-05-13 |
Hänggi, Michelle et al.
|
In3
|
|
|
zwischen spuren |
2021 |
Zollinger, Thomas et al.
|
Revolving Histories
8ème Jours des éphémères
|
|
|
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
Summe2017
|
|
Bain brisé |
2010 |
Marussich, Yann et al.
|
Revolving Histories
|
|
|
Gathering in Noseland 2020 |
2020 |
Hochuli, Gisela et al.
|
Revolving Histories
The Gathering - in Noseland
|
|
|
LEGS Zürich Performance-Stafette |
2016 |
Rust, Dorothea et al.
|
Revolving Histories
Siehe Namen unter weitere Informationen
|
|
|
Encoding Mobility and Sonic Territories: Mobile Architecture and the Decolonial Ear |
2026 |
Omole, Katerine
|
HyperWerk
|
|
|
Ursprung - Eisprung |
2018 |
Obertüfer, Vera [Kollektiv Evas Eier] et al.
|
Revolving Histories
|
|
|
Khi And Phue – KAP 44 Zine for Saan Sense |
2026 |
Phupha, Adisak et al.
|
e-Publications
|