| Titel | Jahr | author | Event |
|---|---|---|---|
Early bowed instruments around 1500, Part I (Italy) |
2013 | ||
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 | ||
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 | ||
Reconstructing the “fifres” of the Grande Écurie |
2009 | ||
Organisation du projet - Colloque |
|||
Karabol |
2024 | ||
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
|
Presse ACT 2022 |
2022 | ||
Sichtbar, Unsichtbar |
2015-04-11 | ||
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 | ||
Controlling Crowds |
2015-04-11 | ||
Beyond Trinity |
2015-04-11 | ||
Lecture I |
2015-04-10 | ||
70 Trillion |
2015-04-11 | ||
Zufällige Wiedergabe |
2015-04-11 | ||
Besame Mucho |
2015-04-11 | ||
Drehung |
2015-04-11 | ||
Moderation |
2015-04-10 | ||
Publikum/Event |
2015-04-10 | ||
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 | ||
Es ist zu Ende |
2015-04-11 | ||
apresperf.ch – Moving Performance To Text |
2015-04-10 | ||
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 | ||
Französische Satzmodelle des Grand Siècle |
2020 | ||
Hubert Cuypers: A Self-Assertive Musician |
2016 | ||
Lemusa 07 Iles-Puendevis |
2025 | ||
Artist contribution: Enforcing human rights through legal means. |
2024-03 | ||
Headbang |
|||
video conflictum |
2010 | ||
Lemusa 02 Est-Bidonnais |
2025 | ||
L'ID CULTEUR |
2014 | ||
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 | ||
Verspielt |
2006 | ||
Committing to decolonial feminist practices of reuse |
2024 |