| Titel | Jahr | author | Event |
|---|---|---|---|
Their time is now and tomorrow. An interview with Swiss art and media theorist Yvonne Volkart |
2025-11-03 | ||
Plant Cognition and AI in Comparison—A Mental Game |
2025 | ||
Orphée et une allégorie de la musique |
1633 - 1682 | ||
Cromorne, 1761 |
1761 | ||
Archival Ink - Everything, Just To Die |
|||
METAFESTIVAL |
2004 | ||
Programm ACT Sierre 2018 |
2018 | ||
Programm |
2019-03-18 21:21:52 | ||
VDK Virtual Design Kit. Designing sheet metal constructions in virtual reality. |
2019 | ||
Kiwicha - Lecture Performance |
2023 |
Mensch, Julia
|
|
Research project – Peripher_ies |
2021-03-01 | ||
Corporate Design 2016 |
2016 | ||
HTWB golden age 2 |
2025-03-30 |
Pearce, Dierde
|
|
Katalog ACT 2020 |
2020 | ||
T A T O R T - Parkinglot |
2014 |
Silber, Alex
|
|
Pressedossier Dominik Stauch «Coast to Coast» |
2016 | ||
Sources secondaires |
|||
Cameo |
2012 | ||
Interview mit Felix Stalder im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-09-28 | ||
Processing Psychedelics |
2023 | ||
Guide zum Liste 17 Performance-Project |
2012 |
Ratti, Christian; Bajo, Elena; Dong, Quynh; Stephany, Rebecca; Gilissen, Filip; Mischke, Jasiek; Rubbi, Matteo; Grilo, Rubén
|
Liste 17 – Performance Project
|
Building a Ganassi Viol |
|||
Lectures on Peripher_ies |
2020-11-09 | ||
Generalbass-Compendium Eine Art Vokabular, für den Gehörbildungsunterricht zusammengestellt |
2018 | ||
Pressedossier Videoparcours durch die Basler Innenstadt 2015 |
2015 | ||
Workshop Just Listen! Soundscape as a designable common good. |
2020-12-16 | ||
On Becoming; amplified* |
2025 | ||
Trompette marine, ~1715 |
1715 | ||
Regola Rubertina, Titelbild |
1542 | ||
Vignette und Abbildung aus der "Lettione seconda", 1543 |
1543 | ||
Modell für die Saiteneinteilung der Viola da gamba, 1543 |
1543 | ||
Corporate Design 2018 |
2018 | ||
ACT Basel Eingaben |
2018 | ||
20 years ago, a discussion |
2023 | ||
Program ACT 2022 |
2022 | ||
Cultural Sensitivity Through Design Practices |
2018-02-03 |