| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Blimunda on the banks of the Tagus River |
2021 |
Junqueira, Paola
|
Doce en Diciembre
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
In Formation. Future Memoirs of Indian Matchbox labels |
2022 |
Dixit, Prarthana
|
Diplom HGK
|
|
|
Popular Admiration of Great Thieves - Allgemeine Bewunderung Grosser Diebe |
1998 |
Good, Niki et al.
|
Revolving Histories
|
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 |
Zabolotney, Bonne
|
Memory Full
|
|
The Holy Pig of Berlin in Basel |
2014 |
Staehli, Nina et al.
|
Revolving Histories
Giornata 14
|
|
The Holy Pig of Berlin in Brunnen |
2016 |
Staehli, Nina et al.
|
Revolving Histories
Das Fabrikutop
|
|
|
HIGHLY SENSITIVE PERSON (HSP)A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
Diplom HGK
|
|
|
Performing launch of Doing Fashion Paper No. 2 |
2012 |
Breuning, Olaf
|
Institut Mode-Design Web
|
|
|
Future Communications. Investigating Nonlinear Methods of Digital Communication |
2020 |
Haddadin, Lara
|
Diplom HGK
|
|
|
Keynote 3: Jussi Parikka, Winchester School of Art |
Sept 3, 2021 |
Parikka, Jussi et al.
|
Memory Full
|
|
John Cage – A House Full of Music |
2012-06-17 |
Kraut, Peter
|
DigitalBrainstorming
|
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle (fake is fabulous inc.), Juergen -
|
ACT Performance Festival
|
|
|
«Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur |
2018 |
Benigno, Dario
|
Diplom HGK
|
|
|
#YOUNIVERSE. oder "How to making-of" |
2017 |
Weber, Josephine
|
Diplom HGK
|
|
|
Lecture: The today of the future |
2011 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Workshop: CCTV - A Trail of Images |
2009 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Videocity visits Manchester School of Art |
Videocity_memoriav
|
||
|
|
Reflexion: Joelle Valterio PRESENCE OF ABSENCE |
08.11.2020 |
Maag, Irene
|
6_2_Performance-Duos
|
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
The Bag Of The Death Fotografie |
15.08.2020 |
Spoolder, Mirjam et al.
|
Must or Not
|
|
|
The Bag Of The Death Fotografie |
15.08.2020 |
Spoolder, Mirjam et al.
|
Must or Not
|
|
|
It is the tragedy of loving |
Weinberger, Hannah et al.
|
Next Generation
|
|
|
|
The Hum of Friendship and Resistance |
Boukharta, Adraâ Anna
|
Next Generation
|
|
|
|
TALES OF NOW HERE nomadic entanglements in hyperreality |
2017 |
Ferrari, Juan et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
The red thread is a map of canalisation |
Musa, Arbesa et al.
|
Next Generation
|
|
|
|
Enhancing Creativity Through the Practice of Abstract Photography in Childhood Education. Developing Design-Thinking Skills in the Visual Literacy Context |
2019 |
Rivarola, Ana Laura
|
Diplom HGK
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
Afterlife and remains of existence in the digital landscape |
Raurell, Mireia et al.
|
Next Generation
|
|
|
|
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 |
McHugh, Christopher
|
Memory Full
|
|
|
Cross your fears crossroad of fears Crown your fear |
2020-04-17, 19:00 |
Torné, Maelle et al.
|
ACT Performance Festival
|
|
|
Reconstructing the "fifres" of the Grande Écurie |
Berney, Boaz
|
GrandeEcurie
|
|
|
|
Methods of parametric design and future implementation |
2018 |
Ackermann, Oliver
|
HyperWerk
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
|
out of control – when light is talking |
2016 |
Zarn, Corsin; Michel, Ralf
|
Institut Integrative Gestaltung / Masterstudio
|