| Titel | Jahr | author | Event |
|---|---|---|---|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 | ||
To See in Reverse: Decoding and Decolonizing Design Language and Thinking |
2021 | ||
Design as Common Good / Framing Design through Pluralism and Social Values |
2021-03-30 | ||
Proceeding Publication Submission Helsinki |
2024-01-12 | ||
Rukku Just read version (betwixt and between) |
2025-12-11 | ||
Betwixt and Between: How the Covid-19 Pandemic changed Media and Education |
2023-04-23 | ||
Soundlab |
2025 | ||
Plastic Be/ings |
2016 | ||
BarrioCom |
2003 | ||
M280 Quid ultra debui facere tibi |
|||
M279 Ego eduxi te per desertum |
|||
M276 Popule meus quid feci tibi |
|||
M277 Ego eduxi te de Aegypto |
|||
M278 Ego eduxi te mare rubrum |
|||
M292 O genitrix gloriosa |
|||
2. Projektbeschreibung Stand 1. Workshop |
2020-04-09 | ||
Weaving–Unweaving the Observer |
2026 | ||
inputout series |
2009 | ||
Projektbeschreibung Definitv Sommer 2020 |
2020-06-15 | ||
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 | ||
REUSE REDUCE REDESIGN HOW TO UNPERFORM PLASTIC RECYCLING |
2024 | ||
Interview mit Barbara Strebel im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am Critical Media Lab der HGK Basel FHNW |
2024-05-30 | ||
Design F(r)iction For Predictive Food Rescue: Workshop Documentation & Educational Ressource |
2024 | ||
Stitching Interconnectedness |
2018 | ||
Groß Geigen, Vyolen, Rybeben - Large-size String Instruments in North-Alpine Sources around 1500 |
2015 | ||
Technologies between Sun and Soil |
2024 | ||
Hydra: [Goldrausch 2019] |
2019 | ||
Playful learning Korean letters are so much fun |
2024 | ||
Notes on Togethermssssss |
2025 | ||
Narrative Agency Making - Our-shared stories |
2023 | ||
peripher_ies |
2020-02-23 | ||
Searching for the musical mother-tongue |
2024 | ||
Borrachero Thinking |
2025 | ||
Motet Cycles Bibliography |
2018 | ||
Motet Cycles Bibliography |
2018 | ||
Reverse filmmaking |
2018 |