| Titel | Jahr | author | Event |
|---|---|---|---|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 | ||
Nebenan |
2015 |
Pfister, Nara; Pfister-Köfler, Hansjörg [Mirzlekid]
|
|
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Beyond the smile. Design of a campaign to raise awareness about depression |
2018 | ||
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 | ||
Eins bis .. |
2015 |
Ritzmann, Marion
|
Performance Reihe Neu-Oerlikon
|
I dreamed a dream we went back in time with our today‘s mind. |
2021 | ||
CLOSE (A) SPACE. Fine Art Print auf Alu, 53 x 40 cm |
2018 | ||
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 | ||
Mitschnitt Workshop: Diagraming Practice: a workshop exploring archives and their relationship to databases |
|||
VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders |
2019 | ||
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 | ||
From the hearth – a process of discovery concerning the concept of “resonance” |
2024-10-21 | ||
Telling the Foreign. A Travel Kit for Design Students – ready for download! |
2018-05-04 | ||
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 | ||
The question of responsibility. A designer's approach to sustainable guitar making |
2021 | ||
Everybody Has A Plan, Until You Get Punched In The Face |
2022 | ||
Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation |
2018 | ||
Mascarade du Vaisseau marchand, Representée devant Le Roy au milieu des Ballets a Marly le jeudy 18e. Février 1700. |
1700 | ||
Visual Well-being. A visual approach to design for the subjective well-being |
2021 | ||
Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design |
2019 | ||
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 | ||
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 | ||
Digital Fingerpaint |
2013/2017 |
De Pinto, Pier Giorgio
|
XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
|
Take your body for a walk (Score) |
2021 |
[The Field]; Gillette, Monica; [Tanzhaus Zürich]
|
Zürich Tanzt
|
Dokumentation zu "T A T O R T - Parkinglot" von Alex Silber |
2014 | ||
To m-other a plant: Špela Petričs Ästhetik nicht-menschlicher Für/Sorge |
2024 | ||
If you're empty you become a shell to someone else`s pearl |
2025-05-10 |
Widmer, Lea
|
|
Perception of Beauty. How does advertisement design enforce a norm through aesthetic of reception? |
2017 | ||
Learning an Indian raga in Dorian mode. Video recording of a lesson |
2026 |
Zuckerman, Ken
|
|
Non-Fungible. An Observation of the NFT phenomena, a study in data abstraction. |
2021 | ||
Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space |
2019 | ||
Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation |
2020 | ||
Ab Boden |
2015 |
Lerjen, Marie-Anne
|
Living Room
|
Im Gjätt |
2019 |
Caraco, Françoise; Germann, Monica; Hagmann, Sabine; Hofer, Susanne; Kalt, Tanja; Maag, Georgette; Michell, Regula; Müller, Irene; Rutishauser, Eliane; Spörri, Regula
|
Plateaux Festival - Werte schaffen
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 |