| Titel | Jahr | author | Event |
|---|---|---|---|
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 | ||
«Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur |
2018 | ||
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit; Mumenthaler, Harumi
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 | ||
Garden Of Solidarity |
2021 |
[Parvez]
|
Corona Call Visarte - Basel exhibition
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 | ||
Möbelstück |
2006 |
Maag, Irene [Kollabor]
|
Labor 21, Destillat I
|
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
“Aimable vainqueur” – version 2 with “musica moderna” Video recording of the ballroom dance |
2023 |
Gal, Mojca; Grobelnik, Thys
|
|
Forged from Tales and Memories, the House of Opportunities |
2019 | ||
French Military Music in the Reign of Louis XIV |
1917 | ||
Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 | ||
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 | ||
04 | Gilbert Riedelbauch | Cultural Spaces - A Point of View from Canberra, Australia |
2017-06-21 | ||
Enhancing Creativity Through the Practice of Abstract Photography in Childhood Education. Developing Design-Thinking Skills in the Visual Literacy Context |
2019 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
05 | Himadri Ghosh | Educating awareness of Indian Lifestyle impact over Craft Traditions |
2017-06-21 | ||
Grenzgang. From Dreispitz to the space of the trinational region |
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An Evidence-based Reconstruction of a Viol after Silvestro Ganassi |
|||
The Iconography of the Viola da gamba in Ganassi's Context |
2013 | ||
The Question Of Responsibility - Designer's Approach On Sustainable Guitar Making |
|||
Water, a sound that flows in one direction regardless of his will |
2020-07-03 | ||
Studies VII (with kind permission of Annie Sprinkle) - Jürgen Bogle |
2015-04-11 | ||
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 | ||
A Trumpet by any other Name: A History of the Trumpet marine |
1991 | ||
Zopf - A video document of a performance that never happend |
07.11.2020 |
Barth, Isabelle
|
|
tell me how to handle this shit ton of anger |
2022 | ||
Artist Talk: Handmade Electronic Music – The Art of Hardware Hacking |
2006 | ||
Ballade n°1 (series of movements between life and death) |
2024-04-27 |
Roussi, Sébastien
|
|
A Mnemonic Device for Belfast: Drawing the Ring of Steel |
2021 | ||
The Intervention of video and sound in an artificial landscape |
1986 |
Manz, Reinhard
|
|
The eloquent oboe, A history of the hautboy 1640-1760 |
2001 |