| Titel | Jahr | author | Event |
|---|---|---|---|
Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices |
2022 | ||
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 | ||
DIE TOURISTEN - eine performative Lesung / THE TOURISTS - A lecture performance |
1995 |
Silber, Alex
|
|
White Panic - a Satire on how to maintain white Privilege. |
2018-04-22 |
Jónsdóttir, Hildur Elísa
|
|
Water, a sound that flows in one direction regardless of his will |
2020-07-03 | ||
The eloquent oboe, A history of the hautboy 1640-1760 |
2001 | ||
Trace Of A Sound Nr. 2 |
2017 |
Diel, Bettina
|
|
Communicating the Dangers of Radioactive Waste in 10.000 Years. A Speculative Approach |
2017 | ||
A Song For Them Too |
2017 |
[Parvez]
|
Legs Basel
|
One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 | ||
Palimpsest |
2025 |
Daphi, Dorothee; Gruppe ab
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas; Rick, Timo; Steiner, Nadja
|
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 | ||
Nebenan |
2015 |
Pfister, Nara; Pfister-Köfler, Hansjörg [Mirzlekid]
|
|
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Beyond the smile. Design of a campaign to raise awareness about depression |
2018 | ||
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 | ||
Eins bis .. |
2015 |
Ritzmann, Marion
|
Performance Reihe Neu-Oerlikon
|
I dreamed a dream we went back in time with our today‘s mind. |
2021 | ||
CLOSE (A) SPACE. Fine Art Print auf Alu, 53 x 40 cm |
2018 | ||
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 | ||
Mitschnitt Workshop: Diagraming Practice: a workshop exploring archives and their relationship to databases |
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VISUAL COMMUNICATION AS A PEACE-BUILDING TOOL. The struggle of Colombian social leaders |
2019 | ||
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 | ||
From the hearth – a process of discovery concerning the concept of “resonance” |
2024-10-21 | ||
Telling the Foreign. A Travel Kit for Design Students – ready for download! |
2018-05-04 | ||
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 | ||
The question of responsibility. A designer's approach to sustainable guitar making |
2021 | ||
Everybody Has A Plan, Until You Get Punched In The Face |
2022 | ||
Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation |
2018 | ||
Mascarade du Vaisseau marchand, Representée devant Le Roy au milieu des Ballets a Marly le jeudy 18e. Février 1700. |
1700 | ||
Visual Well-being. A visual approach to design for the subjective well-being |
2021 | ||
Movement as Medium. Investigating the Moving Body as a Tool in Graphic Design |
2019 | ||
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 | ||
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 | ||
Digital Fingerpaint |
2013/2017 |
De Pinto, Pier Giorgio
|
XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
|