| Titel | Jahr | author | Event |
|---|---|---|---|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
Seeing with Hands, Touching with Eyes. Providing new experiences with integration of Visual and Tactile Perception |
2017 | ||
Popular Admiration of Great Thieves - Allgemeine Bewunderung Grosser Diebe |
1998 |
Good, Niki; Hahn, Alexander
|
|
Cultural Spaces and Design. Prospects of Design Education |
2019 | ||
in utero (unbearable lightness_The Trivial Pursuit of Happiness) |
2007 |
Naegelin, Barbara
|
|
Cross your fears crossroad of fears Crown your fear |
2020-04-17, 19:00 |
Torné, Maelle; Seppas, Eric; Karlsson Elwin, Joshua
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna; Bürki, Anna Chiara; Hugentobler, Karin
|
|
Möbelstück |
2006 |
[Kollabor]
|
<Temps Elastique>
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 | ||
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 | ||
random act of kindness. Over-Ear-Kopfhörer mit Sinneserweiterung |
2021 | ||
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 | ||
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 | ||
Around’o – Katowice aus „Documentation of performances“ 2001-2004 |
2009-03-19 |
Grabowski, Artur
|
|
Guided Tour at the Archive of Kunsthalle Bern |
03.11.2018 | ||
On the performativity of singing in the shower |
2024-04-27 |
Abouna D.-Djibrine, Daggo
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-05-12 |
fake is fabulous inc.; Bogle, Jürgen
|
|
Performance: Alien Nightlife - The Sound of the Extraterrestrials |
2015 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
Cultural Spaces and Design – Prospects of Design Education |
|||
Ina Lohr: Transcending the Boundaries of Early Music |
|||
Viol and Lute makers of Venice 1490–1630 |
2011 | ||
Talk «Networking and Collaboration as Acts of Transmission» |
11.10.2020 |
Tharayil, Ralph; Georgy, Samuel; Reid, Pavana; Regn, Chris; Diallo, Kadiatou
|
|
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 | ||
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 | ||
«Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur |
2018 | ||
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit; Mumenthaler, Harumi
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 | ||
Garden Of Solidarity |
2021 |
[Parvez]
|
Corona Call Visarte - Basel exhibition
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 | ||
Möbelstück |
2006 |
Maag, Irene [Kollabor]
|
Labor 21, Destillat I
|
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
“Aimable vainqueur” – version 2 with “musica moderna” Video recording of the ballroom dance |
2023 |
Gal, Mojca; Grobelnik, Thys
|
|
Forged from Tales and Memories, the House of Opportunities |
2019 |