| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Performance schreiben |
2016 |
Omlin, Sibylle et al.
|
Revolving Histories
Ausstellung
|
|
|
Mischmasch in Jerusalem Trailer |
2008 |
Herzog, Samuel
|
Lemusa
|
|
Covid Joggers Act |
2020 |
Fieni, Matteo et al.
|
Revolving Histories
|
|
L'ID CULTEUR |
2014 |
Zussy, Sarah
|
HyperWerk
|
|
|
Im Spannungsfeld von Tradition und Innovation. Die antike Amazigh Kultur und das Berliner Start-ip Limala |
2021 |
El Kassem, Dschafar
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 |
Carley, Rachel
|
Memory Full
|
|
|
CS Glass |
2021 |
Wyss, Sarah
|
Diplom HGK
|
|
|
Projekt "Mobile Barock-Bühne" (MBB) |
2025 |
Papiro, Martina et al.
|
Incubator for Design Cultures
|
|
Ecologies of dissemination |
2023-10 |
Weinmayr, Eva; Snelting, Femke
|
e-Publications
|
|
|
Museumsbesucher Luzern |
1995 |
ALMA et al.
|
Revolving Histories
Jahresausstellung 1995
|
|
|
SELF PORTRAIT |
2018 |
Tryfonos, George Steven
|
Diplom HGK
|
|
|
Reverse filmmaking |
2018 |
Alushi, Xheni
|
HyperWerk
|
|
|
Die Typgrafie des Immateriellen - Formulierung eines Szearios am Beispiel des Fasachtsmuseums Schloss Langestein |
2015 |
Bomsdorf, Lisa et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Der Schmuck der Zukunft in Zeiten der Digitalisierung und Automatisation |
2018 |
Antonietti, Laura
|
HyperWerk
|
|
|
Program ACT Zürich 2019 |
2019-04-27 |
ACT Performance Festival
|
|
|
|
wecook |
2010 |
Scott, Christopher
|
HyperWerk
|
|
Rage / Going Public 1 / Omomoto / Loosing or keeping contro in a more or less joyful way / Mensche, Tiere, Sensationen |
2019, 2014, 2011, 2010, 2006 |
Spieser, Vreni et al.
|
Revolving Histories
BONE - Festival für Aktionskunst;
Innerschweizer Jahresausstellung;
Schlachthaus Bern / öffentlicher Raum Stadt Zug / Fribourg Stadt+ Bollwerk / Kunstmuseum Lu-zern / White Space Zürich
|
|
|
Allowance und Choice - Über den Prozess, wie ich Verbindungen eingehen lerne |
2023 |
Heinrich, Sarah
|
HyperWerk
|
|
|
Verhalten verpflanzen. Wie Partizipation und Performance die Zusammenarbeit stärken können |
2019 |
Bachmann, Lara Simona
|
Diplom HGK
|
|
|
Blend Rasta |
2017 |
Loosli, Raphael
|
Diplom HGK
|
|
|
H2O |
2005-04-09 |
Baggenstos, Heidy et al.
|
ACT Performance Festival
|
|
|
H2O |
2005-04-09 |
Baggenstos, Heidy et al.
|
ACT Performance Festival
|
|
|
Postcard 1: I wish you were here. A virtual tour on the FHNW Campus |
2021 |
Steffen, Noemi et al.
|
Memory Full
|
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia et al.
|
Memory Full
|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas et al.
|
Memory Full
|
|
|
Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich |
2021 |
Eggmann, Niklas et al.
|
Memory Full
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie et al.
|
Memory Full
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|
|
|
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya et al.
|
Memory Full
|
|
|
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud et al.
|
Memory Full
|
|
|
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit et al.
|
Memory Full
|
|
|
Mit der Austerngabel durch Paris 00 |
2008 |
Herzog, Samuel
|
Lemusa
|
|
|
Techne |
2016 |
Ludwig, Ivo
|
HyperWerk
|
|
|
Bauplatz Innenarchitektur |
2017 |
Berdou, Julie
|
Institut Integrative Gestaltung / Masterstudio
|