Naïve Set Theory. Anarchiving Memory |
2018 |
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Stadt im Bild. Wahrnehmung durch Hülle |
2017 |
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Gestaltung ist Faltung. 3 x 3 gefaltete Gedichte von Pablo Haller |
2017 |
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«my data – your data» |
2017 |
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Heimat formen |
2017 |
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Saligia |
2017 |
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Wer bin ich? |
2017 |
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The Real Lifestyle Magazine. The Stories about Two People, Ana Brankovic and Yves Meier |
2017 |
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This Is Also Reduction |
2017 |
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weder_noch Magazin – Andros + Gyne |
2017 |
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Seeing with Hands, Touching with Eyes. Providing new experiences with integration of Visual and Tactile Perception |
2017 |
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Stereotypes of Identity. Framing Latin American Women |
2017 |
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Communicating the Dangers of Radioactive Waste in 10.000 Years. A Speculative Approach |
2017 |
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Maler Müller und seine Bilder |
2021 |
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Motus Picture |
2021 |
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In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 |
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in, with, or without Nature. Practice-led Research into Today’s Natureculture |
2022 |
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Seeing Sound. Wie sieht Musik aus oder wie klingt ein Bild? |
2020 |
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Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs |
2021 |
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Kostenlose Tagesbetreuungs–Initiative. Abstimmungsplakate zwischen Informationen und Emotionen |
2020 |
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Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space |
2019 |
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to gaze at |
2021 |
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Where It All Begins |
2021 |
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what are you waiting for?. über das Warten im Alltag |
2022 |
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